Designer John Pomp’s First Foray into Wood Debuts at Thomas Lavin in Los Angeles
After crafting sculptural lighting and furniture with glass and metal, the Galerie Creative Mind conceives Unearthed, a visually captivating collection of carved tables and seating
The furniture and lighting designed by Philadelphia maker John Pomp defy definition—both literally and figuratively. Frosted, biomorphic orbs protrude from blackened rings or ooze between tight tangles of woven rope. Massive slabs of seeded glass balance on metal bases of burnished gold ombre or twisted, gleaming silver.
Every element of the pieces are produced by artisans in his massive warehouse where furnaces, kilns, and CNC machines share space with cabinets of curiosities laden with past experiments and inspiring shapes as well as a half pipe for skateboarding.
It’s this imagination factory that has made Pomp a favorite among designers like Geoffrey De Sousa, Nicole Hollis, Sasha Bikoff, and Jeff Lincoln, and earned Pomp a spot in Galerie‘s Creative Minds list.
And its a boundless energy that has inspired Pomp to invent and reinvent, pushing the boundaries of glass, metal, and now, with the debut of Unearthed, wood. “Glass let me explore water, fire, and air—movement, heat, transparency, lightness. Wood brings in the element that was still missing: earth,” says Pomp. “After years working with materials that are fluid or reactive in the moment, wood offered the chance to work with something grounded and textured, a material that already carries its age and history inside it before you even touch it. It’s less a departure from my practice than the completion of it—rounding out the elemental language of the brand with warmth and texture.”
Debuting this week at Thomas Lavin’s Los Angeles gallery, Unearthed encompasses dining chairs, lounge chairs, and benches, as well as dining, cocktail, and side tables. Seating can be done with or without plush seating, available in new boucle upholstery in 60 various shades. Conceived over the course of a year, the collection comes in three different species with seven unique finishes concocted “to bring out each wood’s natural tactility and depth without over-polishing away its character,” says Pomp. Whereas much of the existing collection is defined by softer, rounded shapes, Unearthed commands attention with its more structured geometries. “Wood doesn’t yield the way molten glass does, so it took time to understand the material’s nature,” says Pomp of the creative process. “Balancing negative space and curvature in a rigid material took real trial and error compared to shaping glass in the moment.”
But despite the challenges in creating with wood, Pomp found similarities in its organic nature and sees Unearthed not as a departure from the John Pomp Studio collection, but an extension. “John Pomp Studio has always worked elementally—water, fire, and air, explored through glass. Unearthed completes that language with earth,” he says. “Formally, the throughline is the same abstracted, organic sensibility across every collection: sensuous curvature, a dialogue with negative space, materials that look natural, almost as if they made themselves. The glass-topped Unearthed tables make that connection literal, with my signature sculptural glass sitting directly on the wood—the convergence of two organic materials in one piece. So beyond the maker, the similarity is philosophical: every John Pomp piece, regardless of material, is about revealing the material’s true organic nature.”