A palm-fiber hammock and a Uxua Casa collection sofa invite repose outside a cottage featuring traditional pau a pique mud-brick walls.
Photo: Richard Powers

Wilbert Das Designs Zen Brazilian Retreat for Karl Lagerfeld Muse Kristen McMenamy

The dreamy Bahian retreat features a creative blend of architectural styles, reclaimed woods, and hand-made discoveries

At the beachside Brazilian retreat designer Wilbert Das created for art dealer Ivor Braka and his wife, Kristen McMenamy, tatajuba-wood chaise longues from Das’s Uxua Casa collection border the swimming pool. Photo: Richard Powers

For English art dealer Ivor Braka, his home on Brazil’s Bahian coast is a total escape. Here, he and his wife, American model Kristen McMenamy, can ease into the laid-back rhythms of this out-of-the-way idyllic spot, which is bordered by a verdant tropical forest and blessed with open views of the sea. Built and furnished with the help of Braka’s friend Wilbert Das, the designer and hotelier, it is a getaway that makes the most of an extraordinary setting.

“One of the things that I am quite happy about is that the house is a real retreat, even from art,” says Braka. “It’s all about being immersed in nature.” Because of the humid climate, hanging important paintings or drawings here was not an option. “It means the walls are relatively empty,” he adds, “which is a mixed blessing.”

[Slideshow: See more photos of Ivor Braka’s Brazilian hideaway]

A leading private dealer of modern and contemporary art, Braka made his name—and fortune—trading works by Francis Bacon, Lucian Freud, and other blue-chip masters. He has homes in London and Norfolk, where he also owns an acclaimed pub and country inn with an impressive sculpture park. Known for his sartorial flair, Braka is a conspicuous presence on the global auction-biennial-fair circuit.

On a terrace, a terra-cotta light fixture and eucalyptus chairs join a vintage pequi-wood table and an antique blanket chest. Photo: Richard Powers

It was art that first brought him to Brazil some nine years ago, for a visit to the Bienal de São Paulo. A friend there suggested a trip to Trancoso, an old Bahian fishing village with charming colonial buildings, spectacular beaches, and an effortlessly chic vibe that attracts a sophisticated mix of wealthy Brazilians and in-the-know travelers from around the world. He booked a room at the Uxua Casa Hotel & Spa, which is owned by Das, and his stay proved to be a revelation. While there, he took a drive down the coast along a winding dirt road to Praia do Espelho, a famously alluring stretch of secluded oceanfront, and he was hooked.

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“I loved the fact that it felt as though we had stumbled upon a secret,” says Braka. “It’s only as the view starts to open up that you realize Espelho has one of the most beautiful beaches on the Bahian coast. It’s a very special place, and it does feel like an adventure getting there. It’s good to feel a bit intrepid.”

In the dining area, the table, benches, sideboard, and wall-mounted altar are all antique, while the terra-cotta pendant lights are by Ze Ceramica Trancoso. Photo: Richard Powers

During a second trip four years later, Braka spotted a for-sale sign near Praia do Espelho and ended up buying a dilapidated bungalow with 130 feet of beach frontage. That was followed soon after by the purchase of an adjacent parcel on the slope above. Having admired the look and feel of Uxua, he persuaded Das to renovate the beach shack and, more significant, help him build a new hilltop family compound with enough space for the six children he and McMenamy have between them.

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A former creative director of the fashion label Diesel, Dutch-born Das moved to Trancoso a decade ago to oversee Uxua, which he created with his American business partner, Bob Shevlin. Later, he began designing private homes in and around Trancoso, including one for CNN anchor Anderson Cooper. His work emphasizes context and character, focusing on local, often reclaimed materials and collaborating with area craftsmen.

Custom-made copper mirrors and sink fittings accent a bath’s burned-cement vanity, walls, and floors; the palm-fiber pendant light was made by a local artisan, and the vase is from the Uxua Casa collection. Photo: Richard Powers

For Braka’s home Das took inspiration from the traditional Brazilian country estates known as fazendas. He designed a compound with a large pavilion for communal living and dining spaces, a two-story master villa for McMenamy and Braka, and three smaller cottages for the children and guests. This village in miniature is arranged around a long swimming pool, which faces the ocean. The idea was “to embrace the view of the sea like a person with two open arms,” explains Das. “It’s a very romantic vision of rural Brazil shaped by the old farms here in Bahia.”

[Slideshow: See more photos of Ivor Braka’s Brazilian hideaway]

Das salvaged window frames, doors, and other woodwork from derelict fazendas, weaving them into his designs, while giving each building its own style. Walls are variously made of wood, stucco, or traditional mud bricks, and floors range from canella-wood planks to terra-cotta tiles to burned cement. “What’s really interesting is the architectural variety among the buildings, with the main building at the center of it all that looks like an old plantation house,” says Braka.

An antique cabinet from a clergyman’s home overlooks the master suite’s Uxua Casa four-poster; a circular taboa-reed rug is laid atop the room’s reclaimed canella floorboards. Photo: Richard Powers

When it came time to outfit the interiors, Das and Braka went on a buying tour in the neighboring state of Minas Gerais, acquiring antique wardrobes, tables, benches, wall-mounted shrines, and other treasures. There was also a trip to São Paulo to hunt for midcentury Brazilian furniture by Sergio Rodrigues and others. Das combined these with designs from his own Uxua Casa collection to create richly layered rooms that are full of character, and every piece seems to tell a story. It’s all very considered and sophisticated but decidedly low-key.

“Kristen loves the fact that she can go without makeup here and not worry about anything,” says Braka. “The beauty of the place is that we can just be on our own and escape everything.”

A version of this article first appeared in print in our 2018 Winter Issue under the headline Style Idyll. Subscribe to the magazine.

Cover: A palm-fiber hammock and a Uxua Casa collection sofa invite repose outside a cottage featuring traditional pau a pique mud-brick walls.
Photo: Richard Powers


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