Inside a beach house architect Steven Harris and designer Lucien Rees Roberts conceived for a family in Bridgehampton, New York.
Photo: Eric Petschek
Out near the tip of New York’s Long Island, in the town of Bridgehampton, architect Steven Harris has created an oceanfront home where opposites most definitely attract. There, perched above grassy dunes, a series of pristine glass-and-brick boxes reflect the strict geometries of a modernist dream. But step inside the entrance hall and the crisp lines and sharp edges melt away to reveal far more sensual forms, starting with an exquisitely twisting staircase enclosed on one side by a curl of teakwood. Just beyond, to the rear, glass walls open to a curvaceous, asymmetrical pool and a terrace pavilion topped by a boomerang-shaped roof.
In a Hamptons home conceived by Steven Harris and Lucien Rees Roberts, a sweeping staircase wraps around a Surrealist sculpture by Philippe Hiquily with a vibrant Keltie Ferris canvas nearby.
Photo: Eric Petschek
The directive that brought forth these contrasting yet complementary forms had a similar sense of duality: Conceive an unforgettable house filled with breathtaking art and design, but make it a fun, welcoming, worry-free home for a couple with three young children who host a never-ending stream of family and friends. “The owners are very family-focused and always seem to have 17 people with them,” says Harris. “Their kids, the kids’ friends, the cousins, the aunts, the uncles, and many others. So the idea of having something that was accommodating to everyone was critical.”
In the children’s sitting room, an artwork by Carrie Moyer overlooks a sofa designed by Lucien Rees Roberts, a pair of Isamu Noguchi tables, and a swivel lounge chair by Ben Swildens for Stabin Bennis; the rug is by Crosby Street Studios.
Photo: Eric Petschek
The cosmopolitan owners—he’s a tech-minded venture capitalist and she works in management consulting—were intent on being surrounded by the objects that inspire them. Never mind if their children end up tearing past the Olafur Eliasson glass mosaics mounted in a hallway or munching potato chips on the plasterglass John Koga dining chairs. “They love design and art, and enjoy exploring what’s possible to do with those things in a space,” says Lucien Rees Roberts, whose interiors and landscape firm, Rees Roberts + Partners, shares offices with those of Harris, his longtime partner and collaborator.
While capable of hosting a big crowd, the residence is designed to be just as comfortable when the family is there alone. There are three levels, with the top floor dedicated to the main living room, including the primary suite, three bedrooms for the children, and a 70-foot-long ocean-facing space that contains the kitchen and the living and dining areas. From that truly great room, the genius of the pool pavilion’s sculptural roof becomes apparent—it’s actually a novel water feature, a reflecting pond that serves as a prelude to the wide-open ocean view. “Your eye skips from that pool to the ocean, visually collapsing the space in between,” says Harris.
Sculptural plasterglass chairs by John Koga from Ralph Pucci surround a table made by RT Facts on a Revis Studio mohair rug in the breakfast area; the adjacent open kitchen features custom-made cabinetry painted in Farrow & Ball Railings.
Photo: Eric Petschek
Four guest suites occupy the middle floor, and there’s a third level below, which partially tucks into the landscape and serves to raise the living spaces above FEMA flood elevation requirements. Here, the design team installed a basketball court and a gym with a pneumatic glass wall that opens to a secluded garden and terrace surrounded by Japanese holly hedges.
“Your eye skips from that pool to the ocean, visually collapsing the space in between”
Steven Harris
Elsewhere, the property’s grounds are a mix of manicured and wild. A tightly clipped lawn and perfect ribbons of pea gravel near the house give way to undulating mounds planted with tall beach grasses. “Even though the house is very geometric, the owners wanted the landscape to feel soft,” explains David Kelly, the partner in charge of landscape design at Rees Roberts + Partners.
Next to the knife-edged swimming pool built by J. Tortorella, Harris created an entertaining pavilion whose roof doubles as a distinctive water feature. He also designed the curving concrete bench with cushions by Rees Roberts, who furnished the rest of the space with travertine tables and vintage armchairs. David Kelly, a partner at Rees Roberts + Partners, oversaw the landscaping, which becomes wilder in the areas near the dunes.
Photo: Eric Petschek
The stimulating art and design starts outside, too. Concretepanels by artist Mig Perkins, featuring abstract shapes cast in relief, function like a signpost by a set of steps leading up to the house. Near the front door, Perkins also created a floor-to-ceiling, gray-on-white abstract mural that begins outside, slices through the length of the entrance hall, and continues out by the pool. The mural’s Surrealist-style forms are echoed in other elements, from the biomorphic Philippe Hiquily sculpture that stands beside the staircase to the primarybedroom’s Alexandre Logé Bird chandelier, which could have come straight out of a Joan Miró painting.
A Cubist-inspired abstraction by Rodney Graham, mounted on a travertine fireplace surround, presides over the living room of a beach house architect Steven Harris and designer Lucien Rees Roberts conceived for a family in Bridgehampton, New York. A David Weeks Studio sconce hovers next to the customized Francesco Binfaré sofa for Edra. The cocktail table is by Liljencrantz, and the bespoke Moroccan rug was made by Doris Leslie Blau.
Photo: Eric Petschek
Visually striking, unexpected moments can be found throughout, not least in the living area, where a seam in travertine slabs surrounding the fireplace conceals a hidden treasure. One slab is actually a pivot door that swings open to reveal a vivid-orange wet bar. After all, with its exceptional views, the space is a magical spot for enjoying drinks while reclining on the sprawling Francesco Binfaré sectional, more of a seating landscape than a conventional sofa.
The result is a home that’s deeply sophisticated but also a lot of fun. “When we finished installing the furniture, the whole family came out,” recalls Rees Roberts. “Everyone just hopped on that living room sofa and immediately felt at ease.” And that, he adds, is the ultimate sign of success.
A version of this article first appeared in print in our 2023 Summer Issue under the headline “A Perfect Balance.” Subscribe to the magazine.
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Steven Harris and Lucien Rees Roberts Conceive a Modernist Masterpiece in the Hamptons
A Cubist-inspired abstraction by Rodney Graham, mounted on a travertine fireplace surround, presides over the living room of a beach house architect Steven Harris and designer Lucien Rees Roberts conceived for a family in Bridgehampton, New York. A David Weeks Studio sconce hovers next to the customized Francesco Binfaré sofa for Edra. The cocktail table is by Liljencrantz, and the bespoke Moroccan rug was made by Doris Leslie Blau.
Photograph by Eric Petschek
In the children’s sitting room, an artwork by Carrie Moyer overlooks a sofa designed by Lucien Rees Roberts, a pair of Isamu Noguchi tables, and a swivel lounge chair by Ben Swildens for Stabin Bennis; the rug is by Crosby Street Studios.
Photograph by Eric Petschek
Brooklyn painter Carrie Moyer, whose expressive canvases pay homage to artists like Helen Frankenthaler, created the colorful abstraction in the children’s sitting area. “It has a playfulness that works so well in the space,” says Rees Roberts. Moyer, who shows with DC Moore Gallery, also made this evocative artwork, La Signora (2020).
Photograph by Courtesy of Carrie Moyer and DC Moore Gallery, New York
In a Hamptons home conceived by Steven Harris and Lucien Rees Roberts, a sweeping staircase wraps around a Surrealist sculpture by Philippe Hiquily with a vibrant Keltie Ferris canvas nearby.
Photograph by Eric Petschek
Strongly influenced by the work of Alexander Calder, late French artist Philippe Hiquily produced Surrealist-inspired sculptures out of iron, steel, and brass. “All of his pieces are really incredible,” says Rees Roberts, who placed one of his compositions in the stair hall.
Photograph by Courtesy of Opera Gallery
Sculptural plasterglass chairs by John Koga from Ralph Pucci surround a table made by RT Facts on a Revis Studio mohair rug in the breakfast area; the adjacent open kitchen features custom-made cabinetry painted in Farrow & Ball Railings.
Photograph by Eric Petschek
Honolulu-based sculptor John Koga devised the dining room’s suite of plasterglass chairs, created for Ralph Pucci. “They’re surprisingly comfortable,” adds Rees Roberts. “They have an almost animal quality.
Photograph by Antoine Bootz
Next to the knife-edged swimming pool built by J. Tortorella, Harris created an entertaining pavilion whose roof doubles as a distinctive water feature. He also designed the curving concrete bench with cushions by Rees Roberts, who furnished the rest of the space with travertine tables and vintage armchairs. David Kelly, a partner at Rees Roberts + Partners, oversaw the landscaping, which becomes wilder in the areas near the dunes.
Photograph by Eric Petschek
In the primary bedroom, an Alexandre Logé light fixture is a sculptural presence above the custom-made cast-concrete bed with a headboard upholstered in a Lauren Hwang New York fabric, integrated nightstands topped by Peter Lane ceramic lamps, and a cabinet with a retractable TV at the foot. A Volker Hüller painting hangs next to a lounge chair covered in a Holly Hunt suede, and the rug is by Beauvais Carpets.
Photograph by Eric Petschek
One of Volker Hüller’s signature fragmented compositions, which mix figuration and abstraction, hangs in the primary bedroom. “It’s powerful and centers the room,” says Rees Roberts. The German artist’s Face ’n’ Vase (2015) similarly engages the senses.
Photograph by Courtesy of the artist and Van Doren Waxter
Combining themes of vanity, visibility, and love in her practice, New York artist Summer Wheat conjured this vibrant commission for the media room. “She took colors we had already developed and used a technique where she pushes paint through aluminum mesh,” says Rees Roberts.
Photograph by Eric Petschek
Featuring walls and floors clad in durable maple, the basketball court doubles as a multipurpose room, with a screen that deploys from the ceiling. “They didn’t want it to feel too precious,” says Harris.
Photograph by Eric Petschek
This glamorous powder room is sheathed in richly veined book-matched rainbow onyx. “The colors are a reference to the sky at sunset,” says Harris, who embellished the expressive stone with Michael Amato sconces from The Urban Electric Co. and Dornbracht sink fittings.
Photograph by Eric Petschek
“The idea is when you come into the courtyard, you see beyond the house,” explains Harris, who installed a runnel of water to establish a visual link to the rear of the residence. “Your eye goes through the entrance hall, past the curved wooden volume, and to the shape of the flying swimming pool.”
Photograph by Eric Petschek
To grace the exterior of a Hamptons home, Steven Harris and Lucien Rees Roberts tapped Rhode Island artist Mig Perkins, who specializes in site-specific commissions, to conceive a cast-concrete mural. “There’s a dialectic in the house between the orthogonal and lyrical,” explains Harris, who worked with late art adviser Jennifer Weissbach throughout the project. “The idea was to combine those two pieces here.”
Photograph by Eric Petschek
A Philippe Hiquily sculpture is silhouetted against the dramatically illuminated staircase, which casts artful evening reflections across the pool.
