5 Essential Facts About Andy Warhol

The Pittsburgh-born artist fundamentally defined the Pop Art movement

Person with white hair and glasses standing in front of a colorful artwork featuring the Statue of Liberty.
Andy Warhol in Paris, France on April 22, 1986. Photo: Francois LOCHON/Gamma-Rapho via Getty Images

Pittsburgh-born artist Andy Warhol fundamentally defined the Pop Art movement, but he got his start as a successful magazine illustrator for major magazines. In the early 1960s, he transitioned away from commercial illustration and opened The Factory in New York City, which operated as a space to both create and socialize. For Warhol, everything was his muse, and in turn, the art world became more accessible as he blurred the lines between entertainment, reality TV, and photography throughout his legendary career.

From his iconic Polaroid photos and silkscreens, which ranged from oversized Brillo boxes to Campbell soup cans, to surviving an assassination attempt, here are five essential facts about Warhol.

A series of 16 repeated images of an electric chair in a yellow and black pop art style.
Andy Warhol Orange Disaster #5, (1963). Photo: Solomon R. Guggenheim Museum, New York. Gift, Harry N. Abrams Family Collection, 1974

1. The Factory Debunked the Myth of the Genius Artist

The Abstract Expressionist creatives of the 1950s showed the artist as a solitary, moody genius. Warhol debunked this myth by becoming creative director of his own brand, overseeing the production of works in his studio. He opened the Factory art studio in the early 1960s, which ran until the mid 1980s at various locations across Manhattan. Frequent visitors, including Edie Sedgwick, Lou Reed, and Bob Dylan, turned the Factory into a social gathering place and salon.

Wall displaying multiple Campbell's Soup can artworks, each with different flavors, arranged in a grid pattern.
Andy Warhol, Campbell’s Soup Cans, (1962). Photo: Stefanie Li, © 2018 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York

2. Warhol Fused Together High And Low Culture

Warhol broke the boundary between high art (museum world) and low culture (advertising, tabloids) in his artwork. He put everyday items like Coca-Cola bottles, Campbell’s soup cans, and Brillo soap boxes into the gallery setting and used his background as a commercial illustrator to bring a bold, branding aesthetic to his art.

Art collection on wooden shelves with skull painting, colorful sculptures, small ceramics, and modern geometric art pieces.
An Andy Warhol skull is grouped with works by Arnoldi, Ken Price, John McCracken, and Natalie in a bookcase. Photo: Firooz Zahedi

3. He Turned Fine Art Into a Commercial Machine

Long before Jeff Koons and Damien Hirst had assistants painting on an assembly line, Warhol embraced the business side of art. He famously said, “Being good in business is the most fascinating kind of art. Making money is art and working is art and good business is the best art,” and he would delegate labor in his art studio so that they were producing dozens of silkscreen artworks a day. Contracts and client commissions were part of his creative practice, along with managingThe Velvet Underground and founding Interview Magazine.

Colorful pop art style portrait of a Aretha Franklin with bright makeup, 80s hairstyle, and a geometric shape in the background, from the collection of Clive Davis.
Andy Warhol Aretha Franklin. Photo: Courtesy Christie’s

4. Warhol Turned Celebrity Portraiture Into Fine Art

He didn’t paint portraits of Marilyn Monroe, Elvis Presley, or Jacqueline Kennedy, but used images of celebrities from press photos, film studio headshots, and tabloid newspapers. He zoomed in and cropped images and painted on flat blocks of color. He secured commissions to capture portraits of Michael Jackson, Dolly Parton, Liza Minnelli, and Mick Jagger, and countless other celebrities.

Man sitting at a table with a Burger King bag and a bottle of ketchup in front of a plain background.
A clip of Andy Warhol eating a Whopper from Jørgen Leth’s 1982 film, 66 Scenes from America,was used by Burger King as a Super Bowl ad. Photo: Burger King

5. His Films And Video Art Were Foretellers of Social Media

Whether it was his avant-garde films like Empire, an eight-hour clip of the Empire State Building (like slow TV broadcasts or Twitch), or his Screen Tests, which were precursors to the selfie, looking back, Warhol’s film and video work were precursors to social media and even reality TV. He was the host of the MTV talk show, Andy Warhol’s Fifteen Minutes, from 1985 to 1987, featuring interviews with Keith Haring, Grace Jones, William S. Burroughs, and co-host Jerry Hall. It was centered around a loose media style that echoes social media, just as Warhol predicted in 1968 that “In the future, everyone will be world-famous for 15 minutes.”