Meridiano.
Photo: Courtesy of Meridiano

Discover Meridiano, an Art Gallery Designed as a Sacred Space on Mexico’s Oaxacan Coast

The temple-like space was designed by Japanese architect Tatsuro Miki and Belgian gallerist, curator, and consultant Axel Vervoordt

Conceived as a contemplative space for experimental and site-specific exhibitions during the COVID-19 quarantine by Kasmin president Nicholas Olney and Axel Vervoordt Gallery director Boris Vervoordt, Meridiano is a commercial gallery unlike any other. Designed by Japanese architect Tatsuro Miki and Belgian gallerist, curator, and consultant Axel Vervoordt (Boris’ father), the temple-like space was built with locally sourced materials in a natural landscape set between the mountains and Oaxaca’s Pacific Coast.

The building’s trapezoidal prism gallery structure and circular visitor center incorporate simple architectural forms ascribing symbolic and sacred meanings to geometric shapes. The roughly hewn rectangular stones on the exterior of the buildings have been sensibly stacked and aesthetically arranged without using cement or other bonding agents. The earthy concrete mix in the gallery’s floors includes sand and aggregate sourced from the location, while the natural limestone plaster on the walls incorporates sifted soil from the site.

Installation view of Kimsooja at Meridiano, Puerto Escondido, 2023.

Installation view of Kimsooja at Meridiano, Puerto Escondido, 2023. Photo: Sergio López. Courtesy of Meridiano.

Installation view of Kimsooja at Meridiano, Puerto Escondido, 2023.

Installation view of Kimsooja at Meridiano, Puerto Escondido, 2023. Photo: Sergio López. Courtesy of Meridiano

Approached from a secluded pathway off a sandy road, the gallery’s footprint features an open square that leads to a covered rectangular room whose only light source is an open skylight. The enclosure’s opening frames a portion of the sky, changing in formation and illumination from moment to moment as it interacts with the artworks on display. Its large wooden doors are made from parota, a native hardwood tree that connects the structure with the local environment.

“The architecture is based on sacred geometry out of respect for Mexican traditions with the aim to create a space for art that looks like it’s always existed in this unique place,” said Axel Vervoordt. “When they asked us—Tatsuro Miki and myself—to create a gallery next to Casa Wabi, next to this beautiful place, so serene, created by Tadao Ando, it was really a big challenge. We said we have to go back to the origin of Mexico and make a building that is totally timeless.”

Installation view of Gabriel Chaile,

Installation view of Gabriel Chaile, "No se me quita lo naco" at Meridiano, Puerto Escondido, Mexico, 2023. Photo: Alex Krotkov. Courtesy of the artist and Meridiano

Situated in a coastal ecosystem west of Puerto Escondido and near Casa Wabi, Mexican artist Bosco Sodi’s acclaimed studio, artist residency, exhibition space, and sculpture garden, Meridiano is centered in a strip of contemporary architectural wonders. While Casa Wabi boasts a main campus conceived by Tadao Ando and other buildings designed by Álvaro Siza, Kengo Kuma, and Alberto Kalach, a nearby concrete house by architect Carlos Matos serves as a rental property and Kalach’s pyramidal, solar-powered Hotel Terrestre extends his ecological villas in the Punta Pájaros beachfront resort.

“Thanks to Bosco Sodi, I discovered this place on the planet and was immediately struck by the link between art, architecture, and nature,” stated Boris Vervoordt. “Somehow, I wanted to be part of the evolution of this. To experience art in such a “wild” place makes you understand the essence right away.”

Installation view of Joel Shapiro,

Installation view of Joel Shapiro, "Four Bronzes" at Meridiano, Puerto Escondido, 2024. Photo: Alex Krotkov. Courtesy of Meridiano and Kasmin, New York

Presenting long-term exhibitions, Meridiano opened in February 2023 with a solo by Korean conceptual artist Kimsooja. The show featured a massive stone the artist discovered in the area, which she painted black to dematerialize and reveal its inner space, and a ritualistic performance with fire repeated throughout the duration of the show. For the second exhibition, from September 2023 to January 2024, Argentinian artist Gabriel Chaile created a large-scale anthropomorphic sculpture crafted from clay that referenced a pre-Columbian vessel. The monumental work was fabricated on-site with black-pigmented Oaxacan clay in the rectangular room, with its snout-like chimney enthusiastically extending through the open skylight.

The third exhibition, which opened in February 2024, featured four large-scale bronzes by American sculptor Joel Shapiro. Geometric in their bodily shapes and figurative in their dancer-like forms,  the sculptures created a poetic choreography, with two uniquely fashioned works in each room seemingly interacting in Pas de Deux moves. Yet, all four pieces maintained their individual integrity as they sat, stood, or glided across the gallery’s sublime floors and walls.

Installation view of Joel Shapiro,

Installation view of Joel Shapiro, "Four Bronzes" at Meridiano, Puerto Escondido, 2024. Photo: Alex Krotkov. Courtesy of Meridiano and Kasmin, New York

The current show, on view through June 2025, highlights three sculptural works cast and woven in copper by Peruvian artist Ximena Garrido-Lecca. The rectangular room offers two wall works woven from cut copper piping into symbolic Andean patterns and fence-like forms that reference social resistance to modernization. The wall works reflect the evolving natural light as day turns into night, while the square space presents equally symbolic, combined copper sticks cast from local trees that ironically act like a sundial under the brightness of the Oaxacan sky.

“The artist’s use of copper is critical in this exhibition, “ Olney told Galerie. “The sun is central to Meridiano’s design. Ximena is interested in the connection between copper and ancient Peruvian sun deities, its role in purification, and its present use in supporting 21st-century communication systems, as well as data storage and processing. Her ability to integrate her research on ancient knowledge and technologies into her work to enhance our understanding of contemporary systems of information and power is very impactful in the space.”

Ximena Garrido Lecca, Realineaciones VI + VII / Realignments VI + VII, (from the series Aleaciones con memoria de forma), 2025.

Ximena Garrido Lecca, "Realineaciones VI + VII / Realignments VI + VII," (from the series Aleaciones con memoria de forma), 2025. Photo: Alex Krotkov. Courtesy of Meridiano

Installation view of Demarcaciones Inversas at Meridiano, 2025.

Installation view of "Demarcaciones Inversas" at Meridiano, 2025. Photo: Alex Krotkov. Courtesy of Meridiano

Alongside its breathtaking natural beauty, Meridiano’s secluded location enables artists to explore the creative benefits of being distanced from the commercial art centers in major cities where most currently work. This environment offers a timeless vessel for contemplation, inviting visitors to engage with both the artworks and the changing climatic conditions that enhance their perception of the passage of time.

See more images below: 

In the gallery’s courtyard, Garrido-Lecca presents a freestanding cast-copper sculpture from her Transmutaciones (Transmutations) series (2018–ongoing), inspired by the wooden structures that migrants have used to mark land on the outskirts of Lima since the 1950s. Transmutaciones – Composición IV/ Transmutations – Composition IV, 2025.

In the gallery’s courtyard, Garrido-Lecca presents a freestanding cast-copper sculpture from her Transmutaciones (Transmutations) series (2018–ongoing), inspired by the wooden structures that migrants have used to mark land on the outskirts of Lima since the 1950s. Transmutaciones – Composición IV/ Transmutations – Composition IV, 2025. Photo: Alex Krotkov. Courtesy of Meridiano

In the gallery’s courtyard, Garrido-Lecca presents a freestanding cast-copper sculpture from her Transmutaciones (Transmutations) series (2018–ongoing), inspired by the wooden structures that migrants have used to mark land on the outskirts of Lima since the 1950s. Transmutaciones – Composición IV/ Transmutations – Composition IV, 2025.

In the gallery’s courtyard, Garrido-Lecca presents a freestanding cast-copper sculpture from her Transmutaciones (Transmutations) series (2018–ongoing), inspired by the wooden structures that migrants have used to mark land on the outskirts of Lima since the 1950s. Transmutaciones – Composición IV/ Transmutations – Composition IV, 2025. Photo: Alex Krotkov. Courtesy of Meridiano

Aerial view of

Aerial view of "Demarcaciones Inversas," Ximena Garrido-Lecca’s exhibition at Meridiano, Puerto Escondido. Photo: Alex Krotkov. Courtesy of Meridiano

Meridiano is situated on the Oaxacan coast in Puerto Escondido, Mexico, offering an open framework for long-form, site-specific, and experimental exhibitions of artworks by artists working internationally and across disciplines.

Meridiano is situated on the Oaxacan coast in Puerto Escondido, Mexico, offering an open framework for long-form, site-specific, and experimental exhibitions of artworks by artists working internationally and across disciplines. Photo: Alex Krotkov. Courtesy of Meridiano

Cover: Meridiano.
Photo: Courtesy of Meridiano

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