Firooz Zahedi

The celebrated Los Angeles photographer is expanding his portfolio from Hollywood portraiture to snapshots of interiors and art curation

Silhouettes of a person in a hat and suit posing confidently in a doorway, with backlighting enhancing the dramatic effect.
Photo of Diane Keaton from Zahedi’s new tome *Look at Me*. Photo: Firooz Zahedi

Man with gray hair and glasses seated at a desk with open book, surrounded by framed photos and a computer monitor.
Firooz Zahedi. Darian Zahedi

Look at Me, Firooz Zahedi’s forthcoming book, catalogues four decades of the Iranian-born photographer’s most arresting celebrity portraits—a career that was launched after a chance meeting with Andy Warhol led to an assignment to photograph Washington Post reporter Sally Quinn for Interview magazine. “The stories behind each picture will be told through journal entries and letters I received from the subjects,” he says.

His famed image of Jennifer Lopez is included in the exhibition “Vanity Fair: Hollywood Calling” at the Annenberg Space for Photography, while his portraits of Elizabeth Taylor, captured during a tour of Iran in 1976, are in the permanent collection of the Los Angeles County Museum of Art.

Black and white portrait of a person with blonde hair, partially covering their face with hand, looking directly at camera.
Cate Blanchett on the cover of Zahedi’s new book Look at Me. Firooz Zahedi

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Four silhouettes of a person in various poses wearing a hat against a bright backlit background in a photo strip format.
Diane Keaton proof sheet from Zahedi’s new tome Look at Me. Firooz Zahedi

Recently, Zahedi expanded his repertoire to include interiors, many of which are featured in his book City of Angels: Houses and Gardens of L.A., and made his curatorial debut with “Art in Architecture,” on view at the Bunker in West Palm Beach, Florida. 

A version of this article first appeared in print in our 2019 Spring Issue under the headline Creative Minds. Subscribe to the magazine.