Step Inside Fondation Cartier’s New Jean Nouvel-Designed Location in Paris

The inaugural exhibition, “Exposition Générale,” will showcase over 600 works from Cartier’s storied collection

Illuminated historic building with arched windows and elegant facade at dusk, featuring a calm street view in front.
Fondation Cartier pour l’art contemporain. Photo: © Martin Argyroglo. © Jean Nouvel / ADAGP, Paris, 2025.

On October 25, Fondation Cartier pour l’art contemporain will reopen to the public, welcoming visitors into its striking new space at 2 Place du Palais-Royal, designed by Jean Nouvel. The reimagined site—located inside a Haussmannian building which once housed the iconic department store Grands Magasins du Louvre—features vast bay windows that give way to stunning views of the city.

Wide view of a classic European building with arches and multiple stories, set against a clear blue sky and open courtyard.
Fondation Cartier pour l’art contemporain. Photo: © Luc Boegly
Spacious modern interior with large windows overlooking historic architectural arches and a clear blue sky outside.
La Fondation Cartier pour l’art contemporain, 2 place du Palais-Royal, Paris. Photo: © Martin Argyroglo. © Jean Nouvel / ADAGP, Paris, 2025.

Nouvel, who conjured the foundation’s previous glass-and-steel home on Boulevard Raspail, created a glamorously flexible new center, with public galleries, exhibition spaces, and mobile platform areas. Additionally, the architect—who also orchestrated such stunning cultural landmarks the Louvre Abu Dhabi, National Museum of Qatar, and Museum of Art Pudong as well as stunning buildings like the Rosewood São Paulo—preserved the façade that freely opens to the iconic Parisian thoroughfare.

Interior of a modern building with tall arches, black beams, and spacious design featuring multiple floors and open space.
La Fondation Cartier pour l’art contemporain, 2 place du Palais-Royal, Paris. Photo: © Martin Argyroglo. © Jean Nouvel / ADAGP, Paris, 2025.

“In this striking meeting place where past and future converge, the Fondation Cartier actively participates in the life of the city, engaging with contemporary questions of urban planning and ecology,” the museum said in a statement.  

Interior view of a modern building with concrete pillars, large windows, and a sleek design under bright natural lighting.
La Fondation Cartier pour l’art contemporain, 2 place du Palais-Royal, Paris. Photo: © Martin Argyroglo. © Jean Nouvel / ADAGP, Paris, 2025.

To mark the monumental occasion, “Exposition Générale,” an exhibition showcasing over 600 works from Cartier’s storied collection, will remain on view until August 2026. The presentation includes solo exhibitions and thematic ensembles that feature the work of artists who have participated in Fondation Cartier’s programming since 1984.

Contemporary art gallery interior with various framed artworks on display, featuring modern white seating and lighting.
Absalon, Propositions d’habitations, (1990). Photo: © Luc Boegly
Colorful, ornate room with striped seats facing a large screen and a chandelier hanging from the ceiling.
Freddy Mamani, Salón de eventos, (2018). Photo: © Luc Boegly
Colorful textile sculptures resembling long, hanging braids displayed against a white wall in an art gallery setting.
Highlights from the collection of the Fondation Cartier pour l’art contemporain, Bildmuseet Umea, Suède, (2003). Photo: © Mikael Lundgren
Modern art gallery interior with curved white wall, large windows, natural light, and contemporary sculptures on display.
Junya Ishigami, Chapel of Valley, (2016). Photo: © Axel Dahl
Art installation in a gallery with yellow and white floor piece, wall banners, and a small framed picture on the wall.
Matthew Barney, Cremaster 4: Field of the Ascending Faerie, (1994). Photo: © Losi Jean-Louis
Three fish swimming in a dimly lit aquarium with a blue floor.
William Eggleston, Sans titre, Série Kyoto, Tirage LightJet, (2001-2002). Photo: Droits réservés. © Eggleston Artistic Trust, Courtesy Eggleston Artistic Trust and David Zwirner
Intricate model of a futuristic city with colorful high-rises and unique architectural designs against a dark background.
Bodys Isek Kingelez, Projet pour le Kinshasa du troisième millénaire, (1997). Photo: © Clérin-Morin
Man in a colorful shirt overlaid on a creative world map with vibrant colors and text in the background.
Chéri Samba, La vraie carte du monde, (2011). Photo: © Florian Kleinefenn
Modern art installation with abstract shapes hanging in a glass-walled gallery, surrounded by industrial architecture.
Andrea Branzi, Gazebo, (2008). Photo: © Patrick Gries