The Collectors: Cathia Lawson-Hall

Alongside her husband, the cofounder of the Centre Pompidou’s Cercle International Afrique has accumulated a vibrant trove of dynamic international artists over the past 25 years

Two people smiling in front of abstract artwork background.
Cathia Lawson-Hall and Philip Hall in their home in Paris. Photo: FRANÇOIS MARÉCHAL

Alongside her husband, Philip Hall, Paris collector Cathia Lawson-Hall has accumulated a vibrant trove of dynamic international artists over the past 25 years. “We seek works that challenge, move, and sometimes even unsettle us,” she says of their cache of artworks by Heemin Chung, Thalita Hamaoui, Amoako Boafo, Rachel Jones, Megan Rooney, and Jake Troyli, among many others. “The collection first began with a strong focus on African and Afro-descendant artists, and while this foundation remains essential to us, our collection has since expanded, embracing a decidedly international perspective and artists from all walks of life.” In 2019, the couple cofounded the Centre Pompidou’s Cercle International Afrique, an acquisition committee dedicated to enriching the museum’s modern and contemporary African collections, the first of its kind in France.

Abstract painting with bold black swirls, red and beige background, and a textured brown object in the lower right corner.
Lonely Child (2024) by Dora Jeridi is a recent addition to their collection. Photo: COURTESY OF THE ARTIST AND PERROTIN

Missed opportunities: “One of our greatest regrets is not having a piece by the Anglo Kenyan Michael Armitage or the British Ghanaian Lynette Yiadom-Boakye, who are exceptional artists. Their work is a benchmark for us.”

Abstract painting with vibrant red, orange, and blue brushstrokes creating a textured, dynamic composition
Pam Evelyn, Outskirts (2024). Photo: Robert Glowacki, © Pam Evelyn, Courtesy of Pace Gallery

Best advice: “Trust yourself. The value of a work lies first and foremost in the personal impact it has on you. It’s by falling in love with a piece that you find the only valid reason to acquire it. This emotional connection is what makes a collection authentic and personal.”

Painting of a person with an afro hairstyle in a stars and stripes swimsuit standing on a diving board against a gray background.
Jake Troyli, The High Dive (2022). Photo: Courtesy of the artist and Monique Meloche Gallery

A version of this article first appeared in print in our 2025 Late Fall Issue under the headline “The Collectors.” Subscribe to the magazine.