![](https://galeriemagazine.com/wp-content/uploads/2024/08/tfwe_021_rev_COVER.jpg)
![](https://galeriemagazine.com/wp-content/uploads/2024/08/tfwe_021_rev_COVER.jpg)
Tiffany & Co. Celebrates 50th Anniversary of Elsa Peretti Collection
The visionary creative drew from the exceptional artisans and culture of Japan for her collaboration with the storied jewelry house
![Assemblage by Elsa Peretti (1969–80).](https://galeriemagazine.com/wp-content/uploads/2024/08/tfwe_S1R_TK_12561_WEB.jpg)
Assemblage by Elsa Peretti (1969–80). Photo: COURTESY OF THE NANDO AND ELSA PERETTI FOUNDATION
It’s easy to get lost in the vast design inspiration of Japan. But legendary jewelry designer Elsa Peretti did quite the opposite: She found her voice through the artisans she encountered there. The creative sparks began when she first visited the country, in 1969, on an excursion around the world, and then again in 1974, the year she joined Tiffany & Co.
Those travels ignited decades-long collaborations with 14th- and 15th-generation Japanese masters in silk, lacquer, and bamboo. Their extraordinary expertise became the cornerstone of Peretti’s material language, while an appreciation for both minimalist and organic lines revered by the culture established the framework for her designs.
![Amapola brooch by Elsa Peretti for Tiffany & Co.](https://galeriemagazine.com/wp-content/uploads/2024/08/73802709_BR_MAIN_ml_WEB.jpg)
Amapola brooch by Elsa Peretti for Tiffany & Co. Photo: COURTESY OF TIFFANY & CO.
![Split ring by Elsa Peretti for Tiffany & Co.](https://galeriemagazine.com/wp-content/uploads/2024/08/74137261_RG_Peretti50_v1_TM_050824_cv_WEB.jpg)
Split ring by Elsa Peretti for Tiffany & Co. Photo: COURTESY OF TIFFANY & CO.
Finely woven silk strings made by the same hands that fashioned ceremonial hangings for Buddhist temples were transformed into the netting she conceived to carefully suspend pendants. Tea lacquer gave her perfectly round “doughnut” bracelets an otherworldly luster. Her designs made the bold statement that these techniques and crafts were just as valuable as any precious metal.
“These choices for a female artist of that time opened doors for the women who came after her”
Stefano Palumbo
While there may have been a language barrier between Peretti’s native Italian and heavily accented English and the craftsmen’s Japanese, she communicated by sitting on the floor with them, gesturing and drawing. “What was expected of a woman of her milieu and coming from a wealthy family in Italy, she decided to make different choices,” says Stefano Palumbo, a member of the board for The Nando and Elsa Peretti Foundation. “These choices for a female artist of that time were important ones that opened doors for the women who came after her.”
![The Japan Room at the “Tiffany Wonder” exhibition.](https://galeriemagazine.com/wp-content/uploads/2024/08/tfwe_021_rev_WEB.jpg)
The Japan Room at the “Tiffany Wonder” exhibition. Photo: COURTESY OF TIFFANY & CO.
This year marks the 50th anniversary of Peretti’s work for Tiffany & Co., yet the pieces still have a fluidity and freshness, which cement them as iconic sculptures meant to be worn. Their lasting significance was realized in the many examples displayed in the recent “Tiffany Wonder” exhibition in Tokyo.
Enshrined in lacquer-framed vitrines, these curated selections made evident how Peretti’s great admiration for the Japanese concept of shibui, meaning an aesthetic of subtle beauty, led to her invention of a modern concept of glamour. And now Tiffany & Co. plans to carry that aesthetic forward with Bone and Split rings, which reimagine her timeless motifs for generations to come.
![Bean necklace by Elsa Peretti for Tiffany & Co.](https://galeriemagazine.com/wp-content/uploads/2024/08/70953021_PDT_MAIN_web.jpg)
Bean necklace by Elsa Peretti for Tiffany & Co. Photo: COURTESY OF TIFFANY & CO.
![Lacquer bangle by Elsa Peretti for Tiffany & Co.](https://galeriemagazine.com/wp-content/uploads/2024/08/21926175_BGL_MAIN_WEB.jpg)
Lacquer bangle by Elsa Peretti for Tiffany & Co. Photo: COURTESY OF TIFFANY & CO.
A version of this article first appeared in print in our 2024 Fall Issue under the headline “Points of Departure.” Subscribe to the magazine.