In the living room, a Rashid Johnson painting is mounted above the limestone fireplace and set against cerused-oak paneling. Christophe Delcourt sofas curl around a trio of India Mahdavi cocktail tables joined by Campana Brothers stools, Jacques Jarrige lamps poised on Christophe Côme side tables, a lounge chair by Joseph-André Motte, and a sculptural Wendell Castle table. The ceiling light is by Alexandre Logé, and the rug is by Fort Street Studio.

A painting by Eamon Ore-Giron and a Vibeke Fonnesberg Schmidt pendant from Nilufar animate the breakfast area, which is furnished with a Jean-Pierre Tortil table and Gubi chairs from Suite NY.

Composed of laser-cut plexiglass disks, a light installation by Danish designer Vibeke Fonnesberg Schmidt dangles below the kitchen skylight. “We needed something that draws your eyes up,” says D’Haene. The range is by Wolf.

Vintage Pierre Jeanneret chairs surround a Rick Owens table in the dining room, where D’Haene installed an Achille Salvagni chandelier and a starry Kiki Smith wall piece.

This ethereal tapestry was conjured by Kiki Smith, who also created the dining room’s cluster of bronze stars. “She has a mystical, magical storytelling side to her,” notes Samuels.

“I wanted a warm and creamy color combination to go with the dark floor,” says D’Haene of the living area, which includes an array of organic shapes in muted tones. Creating a striking contrast on the wall is a major canvas by Ellsworth Kelly titled Four Panels, which was shown at Matthew Marks Gallery in one of the legendary artist’s final exhibitions before his 2015 death.

A Mel Bochner text painting adds a wry note behind the library’s Marco Dessi sofa, which is covered in a Holly Hunt fabric and flanked by Jean-Michel Frank–style lamps on Moss & Lam side tables; the bronze cluster tables are by Stéphane Parmentier from Maison Gerard, and the rug is by Joseph Carini Carpets.

A pendant created by D’Apostrophe Design hovers above the study’s François Bauchet desk, which is topped with a lamp by Serge Mouille; the armchair is by Le Corbusier and Pierre Jeanneret, and the rug is by Tai Ping.

Soft textures rule in the primary bedroom, where D’Haene used a Pierre Frey sueded fabric on the wall behind the Minotti bed, dressed with Frette bedding and a throw of Donghia fabric; India Mahdavi lamps top the custom nightstands, the W-shape banquette is by Pierre Paulin, Angela Brown fabrics were used for the curtains and on the Dimore Studio bench, and the mohair-cashmere rug is by Beauvais Carpets.

In an alcove outside the primary bath, an artwork by John Houck hangs above a Dimore Studio bench.

An eye-catching bronze cabinet by French artisan Vincent Dubourg anchors the home’s soaring entry foyer. This similarly pixelated bureau, which is painted canary yellow, is available through Carpenters Workshop Gallery.

The entrance hall features a Frederik Molenschot chandelier swirling above a Sterling Ruby painting, a Vincent Dubourg credenza that hosts a Pierre Yovanovitch lamp, and a Jiun Ho bench next to the window.

The vast entry called for a monumental lighting fixture, so Francis D’Haene turned to Dutch artisan Frederik Molenschot, who works primarily in cast bronze. “It was so big we had to take out a window to bring it in,” he says. “I love that you can also experience the piece horizontally from the stair landing.”

A Roe Ethridge photograph overlooks a guest room’s Finn Juhl armchairs from Design Within Reach and a table from Galerie Negropontes; the rug is by ALT for Living.

“Roe Ethridge is a consummate photographer,” gushes Samuels, who placed one of the Miami-born talent’s evocative beach scenes in a guest room. “He’s able to give a kind of glamour to everyday subjects.” This color-soaked 2015 print illustrates his mastery of the medium.

The expansive rear lawn is dotted with old trees and bordered by gardens overseen by Hollander Design Landscape Architects.

Taking cues from the region’s Shingle Style architecture, Thomas A. Kligerman designed the home with unexpected moments. “As you approach the house, you don’t actually see a front door—you only discover the entrance once you reach the covered porch.”

At over eight feet tall, this graceful sculpture by French artist Camille Henrot makes a swooping statement in the back garden. Art adviser Erica Samuels discovered the piece during 2019’s Art Basel in Switzerland. “It’s lyrical, poetic, and light, even though it’s made of heavy bronze,” she says. “You can appreciate it from so many angles.”

Vladimir Kagan lounge chairs from Ralph Pucci sit inside the pool pavilion, which contains a teak bar conceived by D’Apostrophe Design; teak chaise longues by Roda line one side of the pool.