Beneath a Richard Taylor Designs chandelier, a velvet-clad George Smith sofa faces a custom-made ottoman table and vintage chairs upholstered in floral and ikat-inspired fabrics in the drawing room of a Notting Hill townhouse renovated by designer Hubert Zandberg. Flanked by a Florian & Michael Quistrebert painting on the left and works by Mircea Suciu (top) and Tracey Emin on the right, a bamboo mirror by Collier Webb is mounted over the original mantelpiece, which hosts a pair of 20th-century marbleized urns. The artwork reflected in the mirror is by Georg Baselitz.

A richly patterned GP & J Baker fabric sheathes the paneled walls in the dining room, where Hubert Zandberg installed sconces made with Thomas Boog brackets on either side of a vintage cabinet. Empel Collections lights hang above the table, which is topped with 1960s palm candlesticks and surrounded by Rupert Bevan chairs.

An artwork by Mathew Weir is displayed next to the doorway between the drawing room and library; African stools serve as low tables, and the yellow lamp was a flea market find in Paris.

The vintage side chair is one of a pair from Lee Wright Antiques installed in the dining room.

In the entrance hall, beneath a pendant from Max Rollitt, a Hans Hartung painting hangs across from a custom- designed mirror and bench and Serge Mouille sconces; the floor tile is by De Ferranti and the coir mat is by Sinclair Till.

Zandberg used the same GP & J Baker fabric that covers the dining room walls to make curtains for the opening to the kitchen, which is outfitted with Hector Finch pendants, quartzite countertops, a custom-glazed tile backsplash, and cabinetry designed by Zandberg. A vintage French factory clock is mounted on the hood over the Lacanche range, and the window shade is made of a Mulberry Home fabric.

Zandberg furnished the library with some of the clients’ own pieces, including a caned armchair, and sprinkled curios throughout the bookshelves, on which he mounted sconces from Galerie des Lampes.

Cole & Son wallpaper provides a lush backdrop for a powder room’s Thomas Boog pine cone mirror and Porta Romana wall lights; a Moroccan candlestick stands next to the hammered-copper sink with Chadder & Co. fixtures.

In one of the guest bedrooms, a midcentury ceramic wall sculpture by Roland Zobel overlooks a bed Zandberg designed using a Jasper fabric and dressed with a Welsh blanket from the Cloth Shop; the pendant is from Catherine Despas, and a Charlie Billingham painting hangs next to the window, whose shade is made of an Élitis fabric.