For the living room of his 1920s Sutton Place apartment, Caleb Anderson designed a midcentury-style sofa and a hammered-brass cocktail table that he paired with Vladimir Kagan lounge chairs and a matching ottoman from Holly Hunt. A triptych painting by Vicky Barranguet adds a chromatic splash to the neutral scheme, which includes an Edward Fields carpet and a 19th-century Italian bronze urn.

Caleb Anderson, with his partner, DeAndre DeVane, carried out the renovations with the team at his firm, Drake/Anderson.

In the foyer, a 19th-century rococo gilt-wood mirror from David Duncan Antiques joins modern touches, like the custom console designed by Anderson and the Bucky Vitrine pendant by Christopher Boots for Jean de Merry.

An antique Swedish clock overlooks the office’s Louis XV–style 19th-century desk and bespoke chair clad in leather by Keleen Leathers.

In the second bedroom, which doubles as an office, a Catellani & Smith pendant is suspended above a daybed custom made by Peruvian Touch and flanked by the Bright Group pedestal tables. An Allison Gildersleeve painting hangs atop a wall covering by the Alpha Workshops, and Remains Lighting sconces are mounted on columns painted in a Benjamin Moore yellow.

Anderson installed an antique Louis XVI Baccarat chandelier above the dining area’s custom-crafted spider marble table, which is bordered on one side by Willy Rizzo chairs and on the other by a banquette upholstered in an Élitis fabric matched to the Benjamin Moore currant-red paint used on the paneled walls and ceiling. The painting is by Elise Ansel, the wall sconces are by Remains Lighting, and the candle holders are vintage Tommi Parzinger.

The kitchen features custom cabinetry, a Waterworks tile backsplash and faucet, and a glass mosaic floor by Sicis.

Anderson hung a Lappalainen mobile in the window next to the La Cornue range and decorated the adjacent wall with a collection of plates by Laboratorio Paravicini.

A 19th-century Japanese bowl serves as a dining table centerpiece.

Visible at the end of the hallway, in the primary bedroom, is a Christina Watka wall installation.

A Matthias Meyer painting hangs above the custom-made bed, which is upholstered in the same Dedar fabric as the wall behind and topped with pillows in a Jim Thompson silk.

Vintage ceramic sculptures perch on gilt-wood wall brackets from Scully & Scully above the primary bedroom’s Warren Platner chair from Knoll, a Global Views side table, and a Vaughan floor lamp; the wall is upholstered in a Lelièvre moiré fabric from Scalamandré.

A trio of Vanitas objects by Yulia Tsukerman rests atop a shagreen-clad nightstand made by Atelier Sylvain Frey.

In the primary bath, Anderson installed a midcentury Murano ceiling fixture and Michael Anastassiades sconces.