Next Big Thing: Augustas Serapinas

By repurposing century-old houses as large-scale wooden sculptures, the artist examines the nation's development and rethinks relationships between architecture, people, and social structures

Art installation including several busts.
Installation view of Physical Culture (2025), at the Contemporary Art Centre in Lithuania. Photo: JONAS BALSEVIČIUS

For Augustas Serapinas, there’s no greater inspiration than his home country of Lithuania. By repurposing century-old houses as large-scale wooden sculptures, he examines the nation’s development and rethinks relationships between architecture, people, and social structures. “It took me a while to figure out what I am doing in the art field,” says Serapinas, the youngest creative to present work at the 2019 Venice Biennale. “My first steps as an artist were not material artworks but rather a series of personal actions. It was about expressing myself in a more precise manner.”

Augustas Serapinas with one of his wooden artworks.
Augustas Serapinas outside his studio in Vilnius, Lithuania, with a work in progress for his recent London exhibition, “Potatoes and Chamomile.” Photo: SILVER MIKIVER

In early 2025, Serapinas unveiled the largest and most ambitious version of Physical Culture, his ongoing project that turns plaster sculptures into gym equipment. The installation, which caused a stir in the Unlimited section at Art Basel in Switzerland in 2023, is activated by both individuals practicing academic drawing and groups of visitors.

Abstract art installation with geometric frames and a central stone bust in a modern gallery setting.
Physical Culture (2025). Photo: JONAS BALSEVIČIUS

Up next: Serapinas is preparing for solo shows at the Galeria Municipal do Porto in Portugal and Nottingham Contemporary in England.

“I’m drawn to how Augustas reveals hidden histories, transforming overlooked materials into works that feel profound,” says architectural and interior designer Giampiero Tagliaferri.

Interior of an old brick church with arched windows, sunlight casting shadows on the stone floor and walls.
Installation view of Roof from Rūdninkai (2023) at Klosterruine Berlin. Photo: Courtesy of the artist and Klosterruine
Art installation includes flora.
Installation view of Potatoes and Chamomile, at Emalin in London earlier this year. Photo: Stephen James, Courtesy of the artist and Emalin, London
Art installation featuring abstract paintings and sculptural elements on a blue floor in a gallery setting.
Čiurlionis Gym (2023), at Art Basel Unlimited. Photo: Nicolas Gysin, Courtesy of the artist, Galerie Tschudi and Apalazzo
Installation at art museum
Installation view of The House from Rūdninkai at Bündner Kunstmuseum Chur, Switzerland this year. Photo: Thomas Strub, Courtesy of the artist and Bündner Kunstmuseum Chur
Garden plot by a lake with trees and a clear sky in the background.
Installation view of Greenhouse from Užupis 2023 at Lichtenfels Sculpture, Friedersbach in Austria. Photo: Benedikt von Loebell
Wooden log cabin structure displayed in an art gallery setting with industrial-style architecture.
Installation view of Pine, Spruce and Aspen (2024), at Arsenal Gallery in Poland. Photo: Tytus Szabelski-Różniak

A version of this article first appeared in print in our 2025 Winter issue under the headline “Next Big Things.” Subscribe to the magazine.

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