Step Inside a Chic Manhattan Apartment Crafted by Designer and Gallerist Patrick McGrath
The discerning New York visionary transforms a blank-box apartment by letting art and antiques take the lead

Patrick McGrath can’t control himself when it comes to antiques, so much so
that the interior designer opened a namesake gallery this year to showcase
them. Located on the seventh floor of the Stanford White–designed Cable Building in Manhattan’s NoHo neighborhood, the space is shared with the design practice he started in 2016 and welcomes by-appointment visits to his collection, which includes a circa-first-century a.d. Roman ram’s head, a pair of George II walnut stools, and a Robert Sonneman Cathedral chrome lamp, among other treasures. “It’s a revolving door of pieces I love,” he says. “When I first opened, I was focused on 18th- and 19th-century English and Continental furniture. But I am always telling my clients that balance is key, so I have added some contemporary pieces to the mix.”
That same attuned balance applies to his interiors projects. For a recent homeowner who originally tapped him to do a light cosmetic redo of a 2,000-square-foot penthouse in an early-aughts build in SoHo, McGrath first took stock of the young bachelor’s contemporary art collection, then advised some major architectural changes that would better serve it.
“I came up with solutions to some questionable developer decisions,” he says. His first move was to replace the conventional staircase to the rooftop terrace with a sculptural, lacquered spiral, all the better to open the view to Tom Wesselmann’s Sunset Nude, Floral Blanket (2003). The artwork hangs next to a Jamb fireplace that replaced a massive tiled one that the designer decided “screamed early aughts.” McGrath reshaped the primary bedroom, originally a narrow rectangle, carving out a dressing room and reading nook from its new proportions.
Although the client likes to entertain, kitchen storage took a back seat to an Ellsworth Kelly lithograph, which hangs where a stretch of cabinets once did. McGrath offered storage of another kind—for barware—in a French Art Deco cabinet whose lacquered marigold coat was inspired by the center of the sunflower in the Wesselmann painting. It’s the only piece of furniture in the two-bedroom apartment that synchronizes with what’s on the walls. He kept the palette decidedly neutral throughout to satisfy his client’s top priority: to make his home a showplace for his art. “The paintings have such presence that they needed to bump up against classical pieces to create some tension,” says McGrath.
To that effect, the designer layered in antiquities to make it all sing. “Even though my client was very art focused, he was wide open to learning about interior design,” says McGrath, who managed to place a few pre-Columbian artifacts around the apartment. There’s a standing figure in jade, a volcanic stone jaguar, a serpentine Mezcala figure, and an African mask to achieve that all-important contrast. “I felt so fortunate to be working with him because he had an imagination. When it came to new ideas, he didn’t bat an eye.”
A version of this article first appeared in print in our 2025 Late Fall Issue under the headline “Upward Spiral.” Subscribe to the magazine.