Daniel Brush’s Wearable Masterpieces Go On View in Paris

Curated by his wife and collaborator, Olivia, alongside jewelry historian Vivienne Becker, “Daniel Brush, the Art of Light and Line” is open through October 4

Gold sculpture encased in glass displayed in front of a wall with various art photographs in a gallery setting.
Installation view, “Daniel Brush, the Art of Light and Line.” Photo: Courtesy of L’École, School of Jewelry Arts


From Bakelite creatures studded with precious stones to gold butterflies hovering mid-flight, the poetic creations of Daniel Brush blur the line between jewelry and art. Often made from unexpected material combinations, these rare treasures by the late master are explored in “Daniel Brush, the Art of Light and Line.” Curated by his wife and collaborator, Olivia, alongside jewelry historian Vivienne Becker, the show—on view June 8 to October 4 at L’École, School of Jewelry Arts, in Paris, with support from Van Cleef & Arpels—features more than 75 jewels, paintings, and sculptures by the reclusive polymath. 

Dog-shaped gray brooch with golden gem eyes and decorative dangling beads on a plain white background.
Daniel Brush, Basset hound brooch from La Ménagerie Magnétique. Photo: Courtesy of L’ÉCOLE, School of Jewelry Arts.
Black gemstone sculpture of an elephant with raised trunk, detailed textures, embedded crystals, and white tusks on white background.
Daniel Brush, Elephant Head brooch from La Ménagerie Magnétique. Photo: Courtesy of L’ÉCOLE, School of Jewelry Arts.
Intricate sculpture of butterflies on a branch with a detailed, textured artistic design.
Daniel Brush, Nest, Butterflies, Ladybugs, (1990-1992). Photo: Courtesy of L’ÉCOLE, School of Jewelry Arts.

“This second L’ÉCOLE exhibition in Paris dedicated to Daniel Brush is of an unprecedented scale,” Élise Gonnet-Pon, managing director of L’ÉCOLE, School of Jewelry Arts, France, & Europe, said. “We are thrilled to feature some rare pieces never displayed to the public, works of impressive artistry. The monograph and our curated cultural program pay tribute to his one-of-a-kind way of shaping metals, which goes beyond boundaries. With this new exhibition, we hope to enchant and surprise our visitors.”

A version of this article first appeared in print in our 2026 Summer Issue under the headline “Brush Strokes.” Subscribe to the magazine.