Creative Mind: Suchi Reddy

The principal architect of Reddymade pursues positive emotional outcomes rather than a visual signature

Architectural installation with woven baskets and reflective surfaces under a clear blue sky.
Suchi Reddy presented Sift (2026), a pavilion built with woven bamboo sieves, at the Architecture & Design Film Festival in Mumbai. Photo: RAM RAHMAN

Suchi Reddy’s childhood home, a light-filled oasis with a central courtyard surrounded by gardens in Chennai, India, has left an impression that still influences her practice today. “I’d come home and feel an expansion because of its design,” recalls Reddy, now the principal architect of Reddymade, her New York firm. That early awareness of how architecture acts on the body has guided her range of projects, spanning finely tuned residences, collectible furniture, and immersive installations at the National Building Museum in Washington, D.C., and the Brooklyn Botanic Garden.

Person in a white outfit with long black hair stands confidently in a bright room.
Suchi Reddy. Photo: STEVE BENISTY

Allowing people to understand the importance of feeling good in architecture and design is not just visual or subjective”

Suchi Reddy

Large green mirrored sculpture reflecting trees and grass in a park setting under a canopy of tall trees.
Turbulence, an installation by Suchi Reddy at Brooklyn Botanic Garden. Photo: Gabrielle Beaumont

Underscoring every Reddymade endeavor is the mantra “form follows feeling.” Reddy grounds that philosophy in neuro-aesthetics, a growing field that studies how our designed surroundings influence the brain and body. She brought those ideas into the public eye through a 2019 Milan Design Week installation with Google, a joint effort that has since evolved into a fruitful long-term relationship, with Reddy designing the company’s soaring Manhattan retail store as well as a residence for Ivy Ross, vice president of hardware design, in Sea Ranch, California.

Unique approach: Reddy pursues positive emotional outcomes rather than a visual signature, shaping environments around whatever lets a person or community be at ease. “Allowing people to understand the importance of feeling good in architecture and design is not just visual or subjective,” she says.

Modern wooden chair with curved backrest and pink cushion placed in a dimly lit room with textured gray walls.
Seating from Nine.5, her limited edition collection with Ekaya, a 120-yearold maker of Indian textiles. Photo: ADIL HASAN
modern office interior with curved wooden furniture and minimalistic design elements
The Google store in Chelsea, Manhattan, designed by Suchi Reddy. Photo: Paul Warchol

Up next: A rug collection with Henzel Studio, slated to launch during Milan Design Week, will be followed by a collaboration with Calico Wallpaper debuting at NYCxDesign in May.

A version of this article first appeared in print in our 2026 Spring Issue in the section “Creative Minds.” Subscribe to the magazine.