Tomashi Jackson, *Avocado Seed Soup (Davis, et. al. v County School Board of Prince Edward County)(Brown, et. al. v Board of Education of Topeka)(Sweatt v Painter)*, 2016.
Photo: Courtesy of the artist and Tilton Gallery

What to See at the Armory Show, Volta, NADA, and the Independent

As Armory Week descends upon New York from March 8-11, we share our top picks of what not to miss at the fairs

With the influx of art fairs landing in New York this week, advance planning is key. Here, we have sifted through the lists of exhibitors at the top four fairs—the Armory Show, Volta NY, Independent and NADA—to highlight the art and artists that we believe merit the most attention.


Presenting 198 galleries from 31 countries, the prestigious Armory Show returns to Piers 92 and 94 with work in a variety of media by established and emerging artists.

Nam June Paik, Lion, 2005. Photo: Courtesy of the Nam June Paik Estate and Gagosian

Don’t miss Gagosian’s booth in the main sector, which is dedicated to Korean Video Art maestro Nam June Paik. On display is a series of rare drawings and sculptures—including a monumental arch of 28 televisions transmitting videos while symbolically surrounding a painted lion. Also be sure to catch Spanish artist and designer Nacho Carbonell’s cocoon-shaped lamps displayed in a studio setting at Carpenters Workshop Gallery, one of only two design galleries participating in the fair.

Nacho Carbonell, Table Cocoon 17, 2017. Photo: Courtesy of the artist and Carpenter's Workshop Gallery

Over in the Insight section, which features artwork made before 2000, Albertz Benda presents an important series of Navaho textile–inspired abstractions from the 1970s by California modernist Ed Moses, who died in January at age 91. Lawrie Shabibi, meanwhile, offers new work by Shapour Pouyan in the Focus section, where galleries are showcasing art that examines the relationship between the body and technology. The Iranian-born Pouyan flaunts a hybrid machine that combines a catapult with a guillotine, as well as a series of appropriated Persian miniatures, from which he has ironically eradicated historical figures and details.

Shahpour Pouyan, After, the execution of Mazdak before Nushirwan, the arch-heretic and communist has been hoisted on a gallows by his feet and is being shot full of arrows, 2018. Photo: Musthafa Aboobacker, Courtesy of the artist and Lawrie Shabibi

Finally, the Platform section—dedicated to site-specific art—is spread throughout the fair. Keep an eye out for French artist JR’s monumental installation on the façade of Pier 94 that mixes the faces of recent Syrian refugees with historical images of immigrants at Ellis Island. Los Angeles artist Sarah Cain, meanwhile, will be painting a massive abstraction at the pier’s entrance over a two-day period, and Tara Donovan has constructed an enormous pyramid made of thousands of clear plastic tubes for the pier’s Town Square. Piers 92 & 94, 12th Avenue at 55th Street, New York City 


Nearby at Pier 90, the 11th edition of the Armory Show’s sister fair, Volta NY, offers 85 galleries from 48 cities presenting a global vision of contemporary art.

David Shrobe, The Meeting, 2017. Photo: Courtesy of the artist

Collage is at the core of much of the art on view at the fair, ranging from the gallery booths to the curated group exhibition. Colombian artist Harold Ortiz, for example, manipulates illegally downloaded image bank pictures in his photographs at Medellin’s Timebag; Damien Hoar de Galvan assembles cut pieces of painted wood to construct organic and geometric forms on simple bases at Seattle’s Studio E; Tommy Hartung juxtaposes his own creations with found materials and footage to create fragmented cultural narratives in video, photography and sculpture at New York’s C24 Gallery; and Jean-Sébastien Denis layers a variety of painterly marks on Mylar to construct colorful abstract paintings at Montreal’s Galerie Simon Blais.

Tomashi Jackson, Interstate Love Song (Friends of Clayton County Transit) (Pitts Road Station Opposition), 2018. Photo: Courtesy of the artist and Jack Tilton Gallery

New York–based artist Mickalene Thomas and independent curator Racquel Chevremont joined forces to organize “The Aesthetics of Matter” in the Curated Section of the fair. Taking collage as the point of departure, the eight-artist exhibition explores the medium through cultural, personal, and material concepts. Standout artists in the show include Tomashi Jackson, who uses Josef Albers’s 1963 text Interaction of Color to explore the history of racial segregation in her painterly assemblages; David Shrobe, who creates surreal portraits by combining his figurative paintings and drawings with found materials; and Kennedy Yanko, who makes abstract sculptures by blending rubbery skins of poured paint and crumpled paper with bits of marble and scrap metal. Pier 90, New York City 

Kennedy Yanko, Uncanny, 2017. Photo: Courtesy of the artist and Jenkin Johnson Projects


With just 57 international exhibitors, Independent is the smallest of the major New York art fairs, but arguably the most stylish. Back at Tribeca’s Spring Studios for the ninth edition, this year’s fair focuses on solo, historical, and two-person shows.

Independent founder Elizabeth Dee’s Harlem-based gallery presents paintings of cartoon words and imagery referencing the notion of corruption on minimalist grounds by Carl Ostendarp, while Chelsea’s Sikkema Jenkins & Co. offers minimalist sculptures by Tony Feher, who explored the poetics of found objects until his death in 2016.

Tony Feher, Untitled, 2013. Photo: Courtesy of the artist and Sikkema Jenkins & Co., New York

The current popularity of ceramics is examined with displays of Ruby Neri’s life-size figurative vessels with erotic features and colorful glazing at Los Angeles’s David Kordansky Gallery, Ken Price’s finely crafted organic forms at New York’s Franklin Parrasch and an installation of Elisabeth Kley’s totemic sculptures that are hand-built with decorative tiles at CANADA, from New York’s Lower East Side.

Ruby Neri, Among Flowers, 2017. Photo: Lee Thompson. Courtesy of David Kordansky Gallery, Los Angeles, CA

Lastly, be on the lookout for an exemplary selection of Outsider Art, which nearly half a dozen galleries are featuring. Andrew Edlin offers Paulina Peavy‘s otherworldly abstractions and Melvin Way’s building block compositions on found pieces of paper. Ricco/Maresca pairs Martín Ramírez and Leopold Strobl dream-like landscapes, while White Columns juxtaposes Derrick Alexis Coard imagined portraits of bearded black men with Gerasimos Floratos’ paintings and sculptures of abstract forms inspired by his growing up in the neighborhood surrounding Times Square. Spring Studios, 50 Varick Street, New York City 

Martín Ramírez, Untitled (Arches), c. 1960-1963. Photo: Courtesy of Ricco/Maresca Gallery Estate of Martin Ramirez


Discover the best in emerging contemporary art at the seventh edition of the New Art Dealers Alliance (NADA) where 100 exhibitors representing 33 cities from 17 different countries are taking over Skylight Clarkson Sq in West Soho.

Solo sculpture shows are at the top of our NADA viewing list. New York’s SculptureCenter is debuting a new commission of unique cast bronze sculptures appropriately titled Hand/Stand by Los Angeles-based artist Kelly Akashi.

Olaf Breuning, Freak Show, 2017. Photo: Courtesy of the artist and Carbon 12

Through his collaboration with American farmers, Rob Rhee is showing wire sculptures wrapped around natural gourds at Brooklyn’s JAG projects. The pieces developed after Rhee sent his metal restraints to farms that installed them in the fields and let chance and nature do the rest of the work.

Cole Speck, Dzunukwis, 2018. Photo: Alex Gibson, courtesy of Fazakas Gallery, Vancouver, BC

Equally amusing are Jon Pylypchuk’s colorful bronze tires on pedestals at Los Angeles’s Nino Mier Gallery and Olaf Breuning’s tiny painted ceramics of entertaining scenarios at Dubai’s Carbon 12.

Further exploring the imaginary, Vancouver’s Fazakas Gallery presents hand-carved masks associated with the mythological Undersea Kingdom by Beau Dick, Cole Speck and Alan Hunt, members of Canada’s Kwakwaka’wakw tribe. Meanwhile, Przemek Pyszczek’s tubular steel wall works at Paris’ Galerie Derouillon look more like colorful playground logos than art, which is what makes them both fun and desirable. Skylight Clarkson North, 572 Washington Street, New York City. 

Przemek Pysczek, Playground Relief, 2018. Photo: Courtesy of the artist and Galerie Derouillon
Cover: Tomashi Jackson, *Avocado Seed Soup (Davis, et. al. v County School Board of Prince Edward County)(Brown, et. al. v Board of Education of Topeka)(Sweatt v Painter)*, 2016.
Photo: Courtesy of the artist and Tilton Gallery


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