A black-and-white work by Christopher Wool and a large Marisa Merz painting hang on opposing walls in the château’s entrance gallery, which French designer Nathan Litera furnished with a Holger Johansson chandelier, an Ado Chale table, and a low bench by Jorge Zalszupin.
Photo: Matthieu SalvaingInside Nathan Litera’s Transformation of a 300-Year-Old Belgian Château
Inside Nathan Litera’s Transformation of a 300-Year-Old Belgian Château
Inside Nathan Litera’s Transformation of a 300-Year-Old Belgian Château
Robert Mangold painting adds a splash of color to the serpentine central staircase, where Litera updated the landmark balustrade by painting it dark brown; a work by Christian Boltanski is installed above a George Nakashima bench, while a large Kazunori Hamana ceramic pot rests nearby on the floor.
Photo: Matthieu SalvaingInside Nathan Litera’s Transformation of a 300-Year-Old Belgian Château
Inside Nathan Litera’s Transformation of a 300-Year-Old Belgian Château
For one end of the family room, Litera designed a mirror-backed marble bar set into the dark-wood paneling that also serves as a backdrop for a large Jean Dubuffet painting over the fireplace. Pierre Jeanneret armchairs and a vintage Belgian sofa join tables with tops crafted from panels of wood flooring.
Photo: Matthieu SalvaingInside Nathan Litera’s Transformation of a 300-Year-Old Belgian Château
Inside Nathan Litera’s Transformation of a 300-Year-Old Belgian Château
Inside Nathan Litera’s Transformation of a 300-Year-Old Belgian Château
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