Beneath the room’s original late-19th-century chandelier, sofas by Ico Parisi (left) and Edward Wormley face a Mathilde Penicaud cocktail table, while an heirloom Baccarat vase filled with flowers by Debeaulieu accents a console next to a vintage Italian torch-cut metal mirror. The silk and metal rug is d’Amman’s design, made by Pinton.

For her Paris home, architect Aline Asmar d’Amman commissioned Abdul Rahman Katanani’s swirling barbed wire wall sculpture for the salon, where it overlooks a vessel by Johannes Nagel and a Katie Stout ceramic chair.

Vintage Murano glass vases join a triple-tier centerpiece once owned by Karl Lagerfeld atop the Colosso table in Arabescato marble by Victoria Wilmotte, with vintage Carlo de Carli chairs. The cabinet on the left displays a sculptural ceramic mirror by Agnès Debizet.

In the entrance hall, Zaha Hadid’s Aqua table stands beneath a work in charcoal by Marie Khouri; the gold-painted vessel is by Johannes Nagel, and the Tai Ping rug was designed by d’Amman.

Eclecticism reigns in the library, where d’Amman installed a polished-bronze chair by Voukenas Petrides and a leather-cushioned wood lounge chair by Sizar Alexis around a table that combines legs found at a Paris flea market with a circular painted mirror top by Florence Girette. The Gent swivel slipper chair, clad in an Antoine d’Albiousse velvet, is from d’Amman’s new suite of designs from the Invisible Collection. The Jean Nouvel desk is topped by a Tadeas Podracky sculptural vase, the mantel clock was created for the International Exhibition of Decorative Arts in 1925, and the tapestry on the opposite wall is by Fowler-Thelen. The rug is a d’Amman design made by Tai Ping.

The kitchen includes pendants by d’Amman and a ceramic installation by Mary-Lynn Massoud and Rasha Nawam that is inset in the upper cabinets; the island combines stainless steel and black Iranian marble, which was also used for the tabletop.

In the dining area, a console d’Amman designed with salvaged fragments of rare marble and scarified Vicenza stone hosts a 19th-century book beneath a Gabriel Rico wall sculpture.

A vintage limestone lamp stands next to an antique circular mirror mounted on an equally reflective wall in the entrance hall.

In the primary bedroom, alabaster-and-steel sconces designed by d’Amman flank a Curtis Jeré sculpture above the custom-made bed, which features a headboard upholstered in Jim Thompson silk velvet and is dressed with a coverlet of Fox Linton silk and Pierre Frey linen. A vintage Italian Sputnik chandelier floats above a sofa and d’Amman’s Stone Cloud tables from the Invisible Collection.

A Vladimir Kagan lounge chair is paired with an assortment of other vintage finds.

An 18th-century beveled mirror hangs side by side with a cutout wall sculpture commissioned from Iván Argote.

In d’Amman’s dressing room, her Georgia seating clad in blush-color mohair, also from the Invisible Collection, adds a whimsically feminine note.