What to See in Doha During Art Basel Qatar

The city is brimming with exhibitions, institutional openings, and public artworks that highlight heritage and cross-cultural exchange

Modern architectural building with warm terracotta tones, tall palm trees casting long shadows on a sunny day
Doha. Photo: Courtesy of Art Basel

As Art Basel makes its historic debut in the MENASA region, Doha finds itself at the center of a new cultural cartography with a distinctly global outlook. The fair’s inaugural edition in the locale reflects decades of sustained investments in museums, education, and artistic production that have transformed the city into one of the region’s most compelling cultural capitals. As Sheikha Al Mayassa Al Thani noted, the moment ventures beyond simply hosting another fair and is more about cultivating a platform that amplifies regional voices while inviting the broader art world into deeper dialogue.

Beyond the exhibition halls of Msheireb Downtown, the city is brimming with exhibitions, institutional openings, and public artworks that highlight heritage and cross-cultural exchange. From architectural retrospectives to politically charged group shows, Doha offers a citywide encounter with ideas—proof that the creating ecosystem surrounding Art Basel is already firmly in motion.

Here are the best exhibitions and installations running in parallel (and beyond) to Art Basel:

Museum exhibit featuring diverse textiles and photographs on walls, showcasing cultural artifacts and art installations.
Installation view, “Empire of Light: Visions and Voices of Afghanistan.” Photo: Courtesy of Museum of Islamic Art
Art exhibit featuring a large wooden structure resembling a landscape and a colorful textile installation in a dimly lit gallery.
Installation view, “Empire of Light: Visions and Voices of Afghanistan.” Photo: Courtesy of Museum of Islamic Art
Museum exhibition room with a detailed architectural model in the foreground and framed art on the walls in the background.
Installation view, “Empire of Light: Visions and Voices of Afghanistan.” Photo: Courtesy of Museum of Islamic Art
Wooden architectural model of a historical building displayed in a museum with framed artwork in the background.
Installation view, “Empire of Light: Visions and Voices of Afghanistan.” Photo: Courtesy of Museum of Islamic Art
Display case with two ornate rifles, an open book with photographs, and a framed artwork on a dark background.
Installation view, “Empire of Light: Visions and Voices of Afghanistan.” Photo: Courtesy of Museum Islamic Art

1. “Empire of Light: Visions and Voices of Afghanistan” | Museum of Islamic Art

Organized in collaboration with the Aga Khan Trust for Culture (AKTC) and curated by Nicoletta Fazio and Thomas W. Lentz, this sweeping exhibition traces over five millennia of Afghanistan’s artistic and cultural legacy. Nearly 150 objects position the country as a historic crossroads of civilizations, while architectural models crafted at the AKTC’s Jangalak Vocational Training Centre in Kabul accentuate the urgency of heritage preservation. The thematic structure moves fluidly between notions of empire, faith, and modernity to scholarly and deeply human effect.

On view until 30 May 2026

Man in suit and glasses smiling while looking to the side against a light background.
I.M. Pei. Photo: ALRIWAQ and MIA
Building under construction by the water with cranes and scaffolding in view.
“I. M. Pei and the Making of MIA (Under Construction)” (2007). Photo: Hiroshi Okamoto

2. “I. M. Pei: Life Is Architecture & I. M. Pei and the Making of the Museum of Islamic Art” | ALRIWAQ and MIA

Together, these exhibitions offer a rare dual portrait of the late architect Ieoh Ming Pei. Initiated by M+ and curated by Shirley Surya and Aric Chen, the retrospective examines the Pritzker Prize laureate’s practice through drawings, models, and archival material that reveal the cultural negotiations embedded in his work. Complementing it, the Museum of Islamic Art presentation, curated by Aurélien Lemonier and Zahra Khan with Dr Mounia Chekhab Abudaya, unpacks the philosophical questions that shaped the museum’s iconic geometry.

Both exhibitions remain on view until 14 February 2026.

Sculptural art piece with natural materials and a mechanical component on a reflective surface in warm lighting.
Installation view, “Waters’ Witness.” Photo: © Rasa Juskeviciute

3. “Waters’ Witness” | Mathaf: Arab Museum of Modern Art

Franco-Lebanese artist and composer Tarek Atoui turns sound into archival matter in this evolving research project centered on how water can function as a conduit for memory. Developed with collaborators Eric La Casa and Chris Watson, the installation layers recordings from port cities including Beirut, Istanbul, and Singapore into a tactile landscape of marble, metal, and ceramics. The work maps the ecological and industrial rhythms that shape coastal life while inviting visitors into a contemplative sonic environment.

On view until 16 June 2026.

Abstract art with green and yellow squares and rectangles creating a dynamic, colorful pattern across the canvas.
Samia Halaby, Six Golden Heroes (2021-2023). Photo: Courtesy of the artist and Mathaf: Arab Museum of Modern Art

4. “we refuse_d” | Mathaf: Arab Museum of Modern Art

Curated by Nadia Radwan and Vasif Kortun, this intergenerational group exhibition borrows its title from Hannah Arendt and the radical legacy of the Salon des Refusés to probe the politics of resistance and artistic agency. Works by Samia Halaby, Emily Jacir, Walid Raad, Jumana Manna and Majd Abdel Hamid, among others, move between embroidery, installation and archival gestures to examine solidarity amid ongoing upheaval. Rather than positioning refusal as negation, the show frames it as a productive space for imagining alternative futures.

On view until 9 February 2026

Modern architectural building with abstract design elements at sunset, surrounded by trees and featuring a tall tower.
Lawh Wa Qalam: M. F. Husain Museum. Photo: Courtesy of Qatar Foundation
Modern architectural interior with a stairway, glass facade, and blue tiled walls, creating a serene and open atmosphere.
Lawh Wa Qalam: M. F. Husain Museum. Photo: Courtesy of Qatar Foundation
Modern art gallery with a large black-and-white portrait, colorful artworks on walls, and exhibit on a sleek display table.
Lawh Wa Qalam: M. F. Husain Museum.
Gallery with modern artwork on walls, including a colorful horse painting, and sculptures displayed in a glass case.
Lawh Wa Qalam: M. F. Husain Museum. Photo: Courtesy of Qatar Foundation

5. Lawh Wa Qalam: M.F. Husain Museum | Education City

The world’s first and largest institution dedicated to Maqbool Fida Husain serves as both archive and living dialogue. Inaugurated in November 2025 as Doha’s newest institutional opening, Lawh Wa Qalam: M.F. Husain Museum was developed by Qatar Foundation and designed by Martand Khosla from the artist’s own concept sketch, tracing Husain’s artistic journey from the 1950s until his death in 2011. More than 150 works chronicle Husain’s restless experimentation while foregrounding the cross-cultural currents between South Asia and the Arab world that shaped his late career. Under the guidance of curator Noof Mohammed, the museum positions Husain within an ongoing conversation about mobility, exile, and artistic freedom.

Opened November 2025

Building facade with intricate star pattern featuring integrated solar panels against a gray sky background
Haroon Mirza, Mirag Al Shams, (2026). Photo: Courtesy of the artist

6. “Haroon Mirza: Everything was, is, and always will be” | Fire Station

In his first institutional solo presentation in Qatar, British-Pakistani artist Haroon Mirza transforms electrical signals into immersive constellations of light and sound. Spread across Gallery 3 and the Tower, the exhibition responds directly to the Fire Station’s architecture, folding scientific inquiry into spiritual resonance through repurposed technologies. Mirza’s installations vibrate with temporal tension, suggesting unseen frequencies that bind disparate cultural systems.

On view until 31 May 2026

Lit up night scene with poetic text projected on a modern building and illuminated drones forming words above a city skyline.
“SONG, 2026” Light projection Museum of Islamic Art, Doha Photo: Courtesy of Art Basel Qatar

7. “SONG” | Jenny Holzer at the Museum of Islamic Art

Unveiled as part of Art Basel’s Special Projects programme, Jenny Holzer’s site-responsive work activates the museum façade and courtyard with luminous projections drawn from the poetry of Mahmoud Darwish and Nujoom Alghanem. Passages appear, dissolve, and reassemble across the architecture, while a choreographed drone performance extends the text into the night sky. Holzer’s intervention threads political lyricism through public space, demanding to be read slowly.

On view nightly throughout the fair

Colorful abstract textile art made of layered, fan-shaped patterns in yellow, pink, blue, and green on a white background.
Theresah Ankomah, 2021. Photo: Courtesy of the artist and Liwan Design Studios and Labs

8. “Ade’nnsãda!, Where Night Never Falls…” | Liwan Design Studios and Labs

Curated by the Foundation for Contemporary Art–Ghana and TM Projects in collaboration with regional partners, this exhibition convenes 14 artists from five African countries to rethink tapestry as both medium and metaphor. The works engage questions of identity, migration, and shared histories through material experimentation, while talks and performances extend the conversation beyond the gallery. What emerges is a textured dialogue between craft and contemporaneity that positions Pan-African exchange firmly within Doha’s cultural circuit.

On view until 28 February 2026

Desert landscape with blue striped tents and rocky formations under a pink sky at sunset.
Rahaal Nomadic Museum Photo: Courtesy of Rahaal Nomadic Museum
Modern room with colorful cushioned seating, smokey incense on vibrant tables against a textured teal background.
Rahaal Nomadic Museum. Photo: Courtesy of Rahaal Nomadic Museum

9. “Rahaal” | Zekreet Nature Reserve

Founded by Mohammed Rashid Al-Thani and designer William Cooper, this nomadic museum encompasses pavilions, a salon, and a library within the desert landscape. The central exhibition, “Anywhere is My Land,” gathers artists including Etel Adnan, Simone Fattal, Zeng Fanzhi, and Catherine Opie, to reframe landscape as memory carried in motion. Equal parts intellectual retreat and sensory journey, Rahaal revives the Arab tradition of gathering while opening space for transnational dialogue. The setting alone makes the experience subtly transformative.

On view until 21 February 2026

Abstract wall art depicting a group of ghostly figures with intricate swirling patterns and dark material on the floor.
Installation view, “What’s between, between?” Photo: Courtesy of Media Majlis Museum
Three glass display cases showcasing various natural exhibits, including coral, a rock, and driftwood, on wooden stands.
Installation view, “What’s between, between?” Photo: Courtesy of Media Majlis Museum
Colorful geometric shapes displayed on two round surfaces with a vibrant digital backdrop in an exhibition setting.
Installation view, “What’s between, between?” Photo: Courtesy of Media Majlis Museum

10. “What’s between, between?” | Media Majlis Museum

Led by curator Jack Thomas Taylor with assistant curator Amal Zeyad Ali, this research-driven exhibition explores the speculative terrain of “Gulf Futurism,” a term coined by artist Sophia Al-Maria. Interactive installations and visual works by contributors including Manal AlDowayan, Farah Al Qasimi, and Larissa Sansour consider how technology, ecology, and labor inform the region’s imagined futures, with salt emerging as a recurring connective motif. Rather than offering certainty, the show invites viewers to question who gets to shape tomorrow—a fitting intellectual counterpoint to a week defined by forward momentum.

On view until 14 May 2026