The Artful Life: 6 Things Galerie Editors Love This Week

From a stunning ring collection designed by Pae White for Vhernier to a selection of rare Willem de Kooning lithographs on view in the dining room of Santa Monica’s Muse

Cozy dining nook with a round table set for two, illuminated by warm ambient lighting and modern wall art.
A work from Willem de Kooning’s “Quatre Lithographies” (1986) series on display at Muse, a Los Angeles restaurant designed by Marc Ange. Photo: Tim Herschmann

1. A Santa Monica Restaurant Displays Rare Willem de Kooning Lithographs 

Since opening in late 2024, the Santa Monica restaurant Muse has drawn a devoted following among Angelenos for chef-owner Fardad Khayami’s contemporary French cooking and the moody, transportive dining room conceived by designer Marc Ange. The restaurant partnered with a private collection and presented works by Spanish surrealist Joan Miró upon its opening, but a recent rotation has introduced another blue-chip artist into the mix: Willem de Kooning. Timed to coincide with the arrival of collectors attending Frieze Los Angeles, a concentrated selection of rare lithographs by the Dutch-American abstract expressionist is believed to mark the largest public presentation of his work currently on view in the city. Drawn from the Quatre Lithographies series (1986), the works are mounted on fluted paneling above intimate dining banquettes, allowing de Kooning’s gestural lines to run across the walls. —Ryan Waddoups

Person sitting on a staircase holding a decorative mushroom-shaped object, wearing a red jacket and beige pants.
Nikolai Haas. Photo: Taleah Meshae
Gold high heels with mushroom caps as heels, set against a colorful abstract background with purple and orange accents.
Tropa Tequila Añejo. Photo: Bobby Doherty

2. Nikolai Haas Caps Tropa Tequila’s Mushroom-Shaped Bottle with a Beaded Top

To introduce its limited-edition Añejo, Tropa Tequila went back to Nikolai Haas of the Los Angeles-based duo Haas Brothers for artistic inspiration. In return, the he produced a collectible piece meant to be enjoyed long after the last drop is gone. Limited to just 300 bottles, each individually numbered and signed, the brand’s second expression is bottled in a gold vessel that is this time capped with a mushroom top hand-beaded by artisans in South Africa. “I’m not interested in making objects that just sit there and behave,” says Nikolai Haas. “I want things to start conversations—about pleasure, about desire, about being human. This bottle isn’t meant to be precious. It’s meant to touched, used, and brought into someone’s life.” Tropa Tequila, which made it’s U.S. debut late last year with a Reposado is crafted in the highlands of Jalisco, Mexico, and was founded by Australian friends Paul Solomon, Joost Poulus, and Nick Heine. The 300-bottle limited-edition release will be distributed via a ballot opening March 2 through March 9.—Alexandria Sillo

Modern art gallery interior with colorful abstract paintings on white walls, exposed ceiling, and polished concrete floor.
Installation view of “Travel Diaries.” Photo: Courtesy of Vito Schnabel Gallery and the artist

3. Francesco Clemente Maps Memory and Mysticism at Vito Schnabel Gallery

Renowned for blending Western art traditions with Eastern mystical philosophies and aesthetics, Francesco Clemente traces nearly three decades of pilgrimage as central to his painting practice at Vito Schnabel Gallery in Chelsea. Running through April 18, each work in “Travel Diary” corresponds to a distinct place and moment of the past, folding the artist’s nomadic life into a lyrical visual memoir. The earliest canvas, Dormiveglia I (1998), is from a series that takes its title from an Italian term for the threshold that lies between sleeping and awakening. Reminiscent of a tarot card, the canvas towers, featuring a fragmented yet radiant, goddess-like figurean image of consciousness in flux.

In Trungpa (2012), Clemente draws on Buddhist tradition as an eight-spoked wheel encircles a bird perched on a human skull. The central red bird is one of many throughout the piece, though the rest are colored oxidized copper-green and recede into the background. The gallery describes this motif as “perhaps an analogy for the artist,” a clear point of focus in an otherwise shifting field of memories and places. —Gogo Taubman

Abstract art depicting a circular stained glass window with a skull at the center and blue and brown tones throughout
Trungpa (2012). Photo: Courtesy of Vito Schnabel Gallery and the artist
Gold ring with a large purple gemstone, intricately designed band, displayed on a smooth, light gray surface.
Pae White for Vhernier. Photo: Erdna Creative
Silver ring with blue gemstone on a reflective gray surface.
Pae White for Vhernier. Photo: Erdna Creative
Gold ring with a textured blue-green gemstone, casting a shadow on a gray surface.
Pae White for Vhernier. Photo: Erdna Creative

4. Artist Pae White Designs a Stunning Ring Collection for Vhernier

While many jewelry pieces claim to be wearable sculpture, a new limited-edition collaboration between Vhernier and artist Pae White truly is. Each of the ten rings are crafted by the Italian house and designed by White, who had long dreamed of making bijoux that evokes the sea. This shared passion has resulted in rings inspired by the exoskeleton of a crab in form, while capturing the way light shimmers on the water. That distinct sparkle is conjured by artisans who masterfully combine faceted rock crystal, diamonds, sapphires, and gold. Unveiled at arts patron Eugenio Lopez’s Los Angeles home, timed to LA Frieze Art Week, they’re sure to catch the eye of discerning collectors everywhere.—Jacqueline Terrebonne

Stone-like curved block and a small bottle of Demeter oil with a dropper on a beige surface against a brown background.
The stone diffuser and Demeter fragrance by Matthew Fisher. Photo: Courtesy of Matthew Fisher
Assorted spices, dried fruit, and pomegranates surrounding a unique curved object on a brown surface.
The stone diffuser. Photo: Courtesy of Matthew Fisher

5. Matthew Fisher Debuts a Myth-Steeped Stone Diffuser and Fragrance

Matthew Fisher continues to expand the treasures offered within his Seaport District, New York, gallery with Demeter, a limited-run home fragrance that adds an alluring new dimension to the ballet dancer–turned–designer’s artisanal practice. Each set pairs a sculptural carved diffuser in silver sandstone with a cast plate and a 30 mL extrait de parfum, with the oil drawn directly across the stone to release scent into the room. Produced in an edition of 107, the fragrance is steeped in winter mythology, opening with cedarwood and sandalwood before deepening through fir balsam absolute drawn from the northern wilds, the smoked char of kiln-fired pine, and frankincense. Yellow mandarin cuts through with a flash of brightness, while pomegranate nods to the ancient myth that lends the piece its name. —R.W.

Book cover of "Constable's Year: An Artist in Changing Seasons" by Susan Owens with a landscape painting background.
Constable’s Year: An Artist in Changing Seasons. Photo: Courtesy of Thames & Hudson
A vibrant sunset landscape with trees, distant buildings, and a colorful sky with scattered clouds and birds.
John Constable, The rectory from East Bergholt House, (September 30, 1810). Photo: © Philadelphia Museum of Art.

6. An Enlightening Tome Paints a Compelling Portrait of Artist John Constable

An insightful new book celebrating 250 years since John Constable’s birth explores how the painter’s upbringing in rural Suffolk, England, where he was trained to manage his father’s land, shaped the artist’s approach to painting. In Constable’s Year: An Artist in Changing Seasons (Thames & Hudson), author Susan Owens explores how his understanding of the countryside resulted in an insider’s feel to his paintings. The book, which follows his work and life through the changing seasons, also argues that Constable was a radical in his time, with his sketchbooks and paintings reflecting an intense scrutiny of nature-based works. “Susan Owens draws a multidimensional portrait of Constable, bringing him alive not only biographically but also meteorologically and geographically in his love of the skies above and the work-a-day East Anglican landscape,” says Martin Gayford. —A.S.