Two decades ago Eugenio López Alonso, heir to the Grupo Jumex fruit juice empire and founder of Mexico City’s Museo Jumex, acquired this 1950s Beverly Hills home, designed by architect Wayne McAllister. López enlisted the firm Marmol Radziner to carry out renovations and redesign the swimming pool area, which is outfitted with Walter Lamb chaise longues. Vance Burke Design consulted on the furnishings, and landscape designer Jesús Ibáñez oversaw the one-acre grounds.

Eugenio López Alonso stands in front of a Hirst “Spot” painting and a Donald Judd wall-mounted “Stack” sculpture.

Artworks by Richard Pettibone and Robert Rauschenberg displayed in Eugenio López Alonso’s Los Angeles home.

The house features numerous walls of natural Palos Verde stone, including around the living room fireplace, where an Andy Warhol “Brillo Box” perches on the hearth and an Alan Saret wire sculpture is suspended above a work by Damien Hirst.

In the media room, a Jeff Koons painting of a Bacardi ad is mounted next to a Serge Mouille multiarmed light, overlooking a midcentury daybed, a 1950s table by Luisa and Ico Parisi, and an assemblage sculpture by Rosemarie Trockel.

Jeff Koons’s Elephant sculpture in yellow mirror-polished stainless steel presides playfully over the pool.

A 16-foot-wide Andreas Gursky photograph of a Frankfurt airport terminal spans a wall in the dining area, while a Cy Twombly blackboard-style painting hangs along the nearby stairs.

Charles Ray’s Shoe Tie is prominently placed in the living area, beneath a Serge Mouille chandelier and near sliding doors that open to the terrace.

The entrance gallery displays a large Richard Prince “Joke” painting and an orange-hued work from Andy Warhol’s “Death and Disasters” series.

Of the many works in Lopez’s collection, the Ed Ruscha above his bed is one of the very few that have never been moved.