Outside Nicky Haslam’s home in the English countryside.

Much of the living room furniture, including
the Gothic-style light fixture and the Baroque pedestal table beneath it, is from Haslam’s previous country house, the Hunting Lodge; the red sofa came out of storage, the velvet-clad, barrel-back chair is from London dealer James Jackson, and many of the fabrics are remnants he collected over the years.

A life-size wax modello of the 17th-century playwright Jean de Rotrou by Jean-Jacques Caffieri sits atop a demilune console designed by Haslam in the mid-1980s.

A Regency-style lantern hangs in Nicky Haslam’s stone-paved front hall.

Olex Panchuk crafted the library’s green-painted light fixture using salvaged objects, while L&M Upholstery made the banquette and reupholstered the slipper chair in a Colefax and Fowler fabric specially printed for a past Haslam project; the curtains are Irish linen, the blinds are wool, and the carpet is by Silk Avenue.

The walls of the pavilion’s main bedroom are decorated with trompe l’oeil ribbons by Lizzi Porter, who also painted faux-marble drawer fronts on an Ikea chest; the painting of a tulip petal is by Rory McEwen.

In the main bedroom, Haslam applied bamboo wallpaper to the headboard to embellish his Ikea bed, amping up the glamour with a corona lined in silvery fabric; the lamps are a mirrored slice-of-an-urn style from the ’50s, and the wood-grain-pattern carpet is Haslam’s design.

Yew hedges frame an outdoor sitting area, where white wisteria climbs the exterior of the pavilion.

A watercolor of the dining room Haslam created for Rod Stewart at Wood House in Epping in 1986.

The bedroom in this watercolor was conceived for Felicity and Robert Waley-Cohen’s residence in Upton in 1991.

Haslam’s watercolor of a drawing room he designed in 1981 for Martha and Philip Gwyn at Dean House in Kilmeston.