Next Big Thing: Tadáskía

Drawing has always been central to the artist's creative output

Person in a beige dress standing on a ladder, surrounded by colorful abstract murals on walls in an art gallery.
Tadáskía with an installation in progress for her 2024 show “Projects: Tadáskía” at the Museum of Modern Art. Photo: GEORGE ETHEREDGE/THE NEW YORK TIMES/REDUX

Drawing has always been central to Tadáskía’s creative output. As a child, she wrote on the walls and doors of her parents’ home. Then, in 2024, she found herself illustrating the walls of New York’s Museum of Modern Art with vibrant, kaleidoscopic birds and colorful swirls that solidified her place as an artist on the rise.

Tadáskía’s process depends on the medium. “In drawing, I usually start with my eyes closed, using charcoal, dry pastel, or oil stick—even lipstick or nail polish,” she explains. “In some of my sculptures, I generally work without a prior plan. I gather and renew organic materials, so they don’t rot, but over time fruits, vegetables, and liquids need to be refreshed. I enjoy this renewal; it feels like a promise.”

conceptual art by Tadáskía, ry pastel, oil pastel, charcoal and spray on paper
Tadáskía, oh! t.s.t. two/dois (2025). Photo: Rafael Salim, Courtesy of the artist and Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro
artwork by Tadáskía, il paint and spray on wood, transparent liquid and red LED light
Tadáskía, ladybug house casa da joaninha II (2024). Photo: Eduardo Ortega, Courtesy of the artist and Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro
Conceptual art by Tadáskía, Graphite, charcoal pencil, oil pastel and felt-tip pen on paper
Tadáskía, kissed black trans ladies kissing (2024). Photo: Piti Tomé, Courtesy of the artist and Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro
Abstract modern art sculpture with overlapping colorful panels in red, green, blue, and brown against a white background.
Tadáskía, changed color shell mudada casca de cor II (2024). Photo: Eduardo Ortega, Courtesy of the artist and Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro
Dry pastel, oil pastel, charcoal and spray on paper
Tadáskía,oh! t.s.t. one/um (2025). Photo: Rafael Salim, Courtesy of the artist and Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro
Wood, wire, pebbles and fruits
Tadáskía, arranjo I (2024). Photo: Eduardo Ortega, Courtesy of the artist and Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro

New direction: Recently, the artist, who also writes poetry, has been using darker tones, which she describes as “energetically agitated.” This palette balances the more tranquil, lighter colors she’s used in the past, creating what she calls a “rainbow emerging on the horizon of the world’s chaos.”

Installation view of Tadáskía's art at the 35th Bienal de São Paulo.
Installation view of Tadáskía’s Desenhando animada (2023) and Ave preta mística (2023), at the 35th Bienal de São Paulo. Photo: Eduardo Ortega, Courtesy of the artist and Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro

“Tadáskía’s bold, energetic work explodes with color in harmony with her poetry. Her practice centers those who are marginalized but does so with joy, with poetic narrative,” says Komal Shah, collector and founder of Making Their Mark Foundation.

Installation at MoMA museum.
Installation view of Projects: Tadáskía, on view at The Museum of Modern Art, New York. Photo: Jonathan Dorado, Courtesy of the artist and Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro

A version of this article first appeared in print in our 2025 Winter issue under the headline “Next Big Things.” Subscribe to the magazine.