Next Big Thing: Kevin Reinhardt
The California artist’s incredible “blind paintings” combine conceptual rigor and three-dimensional tonality
Conjuring childhood days spent at his parents’ accounting office, where he passed the time studying the venetian blinds, Kevin Reinhardt’s “blind paintings” are perfect combinations of conceptual rigor and three-dimensional tonality.
Despite the repetitive formality of this body of work, the Culver City, California, artist describes how every canvas encapsulates a uniquely liminal realm. “I sew colored thread into my paintings to illustrate the lines of the blinds’ drawstrings and exaggerate their edges,” says Reinhardt, who had a buzzy solo debut with his gallery 56 Henry last fall. “At the risk of overdramatizing, the windows become a sort of purgatory, between inside and outside.”
“Kevin carries a tradition of California modernist painting with such mastery. The way he sees, distills, and abstracts common, everyday subjects is done with an extremely deft hand”
Billy Cotton
Creative flow: “I do my best not to play favorites with materials,” says Reinhardt of his sculptural practice, which spans everything from carved wood and steel to stacked paper shaped with an X-Acto knife. “My goal is to look at materials as objectively as possible and figure out what they’re good at and work strategically within that framework. This hopefully allows me to use mediums in ways that are honest to the material.”
A version of this article first appeared in print in our 2023 Winter Issue under the headline “Next Big Things.” Subscribe to the magazine.
Click here to see the full list of “Next Big Things.”