Next Big Thing: Chenlu Hou

The Rhode Island-based creative conceives sacred, mythical chimera steeped in symbolism and ambiguity

Artist seen holding one of their sculptures.
At home in Providence, Rhode Island, Chenlu Hou holds her 2024 work Tian Gou Shi Ri—The Truth About Solar Eclipse and How to Observe It Using Pinhole Imaging Principle. Photo: Chenlu Hou, COURTESY OF THE ARTIST AND KRISTEN LORELLO, NY

With her hand-built ceramic objects, artist Chenlu Hou conceives sacred, mythical chimera steeped in symbolism and ambiguity. “My works often show women, animals, and plants in imaginative, dreamlike ways,” reflects Hou, currently based in Providence, Rhode Island, as well as Cambridge, Massachusetts, for an artist-in-residence post at Harvard University’s ceramics program. “They come from bits of memory, daily life, or sometimes pure fantasy. I don’t see them as specific people or creatures but as reflections of different emotions—care, confusion, curiosity, or celebration—blurring the line between human and nonhuman.”

Colorful abstract sculpture with vibrant yellow, pink, and red patterns, intricate designs, and symmetrical shapes on a white base.
Four Long-Haired People Ride a Pomegranate Shaped Mini-Spaceship into Space to Smell Armpit Odor (2025) by Chenlu Hou. Photo: Chenlu Hou, COURTESY OF THE ARTIST AND KRISTEN LORELLO, NY
Colorful abstract sculpture with multiple heads and wavy patterns on a pedestal displaying vibrant colors.
Kai Ming Shou-The enlightened beast ultimately chose jump rope (2024) by Chenlu Hou. Photo: Chenlu Hou, COURTESY OF THE ARTIST AND KRISTEN LORELLO, NY
Colorful abstract sculpture with a central star shape, green wavy lines, orange hands, and purple starbursts on top.
Male cicadas emit a shrill cry that has been brewing underground for years in the scorching summer (2025) by Chenlu Hou. Photo: Chenlu Hou, COURTESY OF THE ARTIST AND KRISTEN LORELLO, NY

Creative process: “I think of my practice as a space where two influences meet,” explains Hou of her reinterpretation of traditional storytelling and her experience immigrating to the U.S. in 2017. “Folk art gives me a visual language in its playfulness and directness, while my daily life here shapes the narratives.”

Folk art gives me a visual language in its playfulness and directness”

Chenlu Hou

“Chenlu creates sunny, charismatic ceramic sculptures that personify story lines inspired by ancient Chinese folklore. Through humor and metaphor, her objects reflect an eco-spiritualism grounded in dreams, memories, and cross-cultural journeys,” says Amy Smith-Stewart, chief curator of Aldrich Contemporary Art Museum.

Colorful abstract sculpture with pink, blue, and orange elements, featuring symmetrical shapes and patterns.
Birds don’t eat cicadas that are shedding (2023) by Chenlu Hou. Photo: Charles Benton, COURTESY OF THE ARTIST AND KRISTEN LORELLO, NY
Colorful abstract butterfly sculpture with intricate patterns and vibrant designs on a pedestal in a gallery setting.
How to cope with fear-Little moth dresses up and gets ready to go to a community dance class (2025) by Chenlu Hou. Photo: Chenlu Hou, COURTESY OF THE ARTIST AND KRISTEN LORELLO, NY

A version of this article first appeared in print in our 2025 Winter issue under the headline “Next Big Things.” Subscribe to the magazine.