Lisa Fayne Cohen and Nicole Fuller’s Entrance at the Galerie House of Art and Design.
Photo: Genevieve Garruppo
Lisa Fayne Cohen and Nicole Fuller’s Entrance at the Galerie House of Art and Design
Interior design by Lisa Fayne Cohen and Nicole Fuller.
Bench by Wendell Castle from R & Company.
Rug by The Rug Company.
Maison Gerard
Drop Murano Side Tables by Achille Salvagni.
Artist’s Hand II light sculpture by Niamh Barry.
Gold vases by Jaimal Odedra.
Pieds de Bouc Contemporary Stool by Marc Bankowsky.
Jim Lambie’s entry stairs installation at the Galerie House of Art and Design. Photo: Genevieve Garruppo
Stair installation by Jim Lambie.
Kasmin
Artwork by Judith Bernstein.
Judith Bernstein, Liberty, 1995. Photo: Kasmin
Judith Bernstein
Liberty, 1995
charcoal on paper
47 1/2 x 63 inches 120.7 x 160 cm
For more information, please contact Edith Dicconson. edith@kasmingallery.com
Judith Bernstein has been engaging with social issues in her work since the 1960s, creating anti-Vietnam drawings, monumental phalluses, and pieces consisting entirely of her own signature. Through her series of “Word Drawings” from 1995, titled Liberty, Justice, Equality, Evil, and Fear, Bernstein transforms her critique into powerful graphic works.
Perrotin
Artwork by Bharti Kher.
Bharti Kher, Heroides IX, 2016. Photo: Guillaume Ziccarelli/Courtesy Perrotin
Bharti Kher
Heroides IX, 2016
Bindis on painted board, frame
173.4 × 173.7 × 8.9 cm | 5.69 × 5.7 × 0.29 ft
One of India’s most prominent contemporary artists, Bharti Kher uses the “medium” of traditional and sperm-shaped bindis in her practice, whether employed in swirling painted gestures or running through her eclectic range of large sculptural installations. For Kher, the bindi—the traditional forehead dot worn by Hindu women—symbolizes a complex intersection of religious ritual, domesticity, commodity, and aesthetic beauty.
For inquiries please reach out to Melissa Timarchi (melissa@perrotin.com).
Nara Roesler
Artwork by Cristina Canale.
Cristina Canale, Mergulho, 2018. Photo: Nara Roesler
Cristina Canale
Mergulho, 2018
acrylic and oil paint on canvas
140 x 170 cm | 55.1 x 66.9 in
Friedman Benda
Bolotas Sofa by Fernando and Humberto Campana.
Fernando and Humberto Campana,Bolotas Sofa (Pistachio), 2015. Photo: Fernando Laszlo/Courtesy of Friedman Benda and Estudio Campana
Fernando and Humberto Campana [Brazilian, b. 1961,1953]
Bolotas Sofa (Pistachio), 2015
Sheep’s wool and Ipê wood
33.5 x 78.75 x 35.5 inches
85 x 200 x 90 cm
Edition of 8
Description: “The Bolotas Collection was initially inspired by stone walls but the name Bolotas came when the first prototype showed up to be soft and round like an acorn. We added cushions to bring an element of comfort to the design. The sofa is made with leather and the armchair is covered with lush sheep’s wool.” – Fernando and Humberto Campana, 2020
Gallery Contact: Jennifer Olshin, Partner – jennifer@friedmanbenda.com
Lehman Maupin
Art by David Salle.
DAVID SALLE, Black Eyed Susan with Envy, 2002. Photo: Kitmin Lee/David Salle, licensed by VAGA, New York. Courtesy the artist and Lehmann Maupin, Hong Kong
David Salle
Black Eyed Susan with Envy, 2002
Oil on linen
65.125 x 131.625 inches
165.4 x 334.3 cm
68.375 x 134.875 x 2.75 inches (framed)
173.7 x 342.6 x 7 cm
Cover: Lisa Fayne Cohen and Nicole Fuller’s Entrance at the Galerie House of Art and Design.
Photo: Genevieve Garruppo
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