Kim Jones Shares the Story Behind His Treasured Matisse
The creative director of Dior Men and Fendi womenswear and couture, and recent Hennessy collaborator, reveals his passion for cross-collecting
“One of my favorite pieces is a beautiful portrait of Lorette, who was Matisse’s muse; he painted her over and over again. I initially came across this work on Instagram, and it didn’t say who the artist was, but I had to have it. There was an exhibition in Paris where one whole wall was just portraits of Lorette. I have my Lorette portrait displayed right next to my library door, so I see it every day. When I walk past it, I see a different brushstroke every time. Living with art means you get to look at it in a different light. I might reference the color in a painting for a fashion collection, or a brushstroke can make me think of a silhouette—the inspiration can be tenuous.
As a child, I was always around people who were obsessive collectors: my father, my uncle. I’ve always been a collector, too—first of toys, then books and clothes. Once I had the funds—and a nice house, which helps with wall space—I started buying larger artworks. I like art mostly from the period between 1910 and the 1930s, and not the normal things that people would expect, either. There’s always something a bit off. I have pieces by Gauguin, Picasso, Magritte, Francis Bacon, and Peter Doig. I like classics as well as modern. I also have a lot of works by Vanessa Bell, Roger Fry, and the Bloomsbury Group. I like the combination. They are all things that I want to live with, and they have to fit together. I feel lucky to live with such beautiful things.” —as told to Lucy Rees
A version of this article first appeared in print in our 2023 Summer Issue in the section In Focus. Subscribe to the magazine.