The rising-star artist uses imagery of carnivals, sporting contests, casinos, and games to grapple with complex issues
At last winter’s Art Basel in Miami Beach, artist Derek Fordjour transformed London dealer Josh Lilley’s booth with five tons of gravel, corrugated steel, and barbed wire—all for an immersive faux-backlot installation that included several of his beautiful textured paintings. “The idea was borne out of frustration with the sterility of art fairs,” says the Brooklyn-based talent, who is preparing for a solo exhibition with Lilley in May. (His first gallery show opened at L.A.’s Night Gallery in February.)
Fordjour uses imagery of carnivals, sporting contests, casinos, and games to grapple with complex issues like race and societal inequality in a “visually rich and accessible way.”
Born in Memphis, Tennessee, the rising star first caused a stir in late 2017 with a playful installation at the Sugar Hill Children’s Museum in Harlem; last fall, he installed a massive 17-by-29-foot wall work across the street from the Whitney Museum that subtly reflects on gun violence. Uptown, at the 145th Street subway station in Harlem, a suite of mosaics from his “Parade” series dazzle passersby on their daily commute as part of the MTA Arts & Design project.
Currently, Fordjour is adding Instagram to his list of influences, with the aim to learn about the work of an entirely new artist every day. “I’m infinitely inspired.”
A version of this article first appeared in print in our 2019 Spring Issue under the headline Creative Minds. Subscribe to the magazine.