The Jewish Museum’s Stirring New Modigliani Show

Featuring more than 150 works, the timely exhibition explores the artist's struggles with anti-Semitism

Exhibition room displaying several sculpted head busts in glass cases on burgundy pedestals with framed drawings on the walls.
Installation view of “Modigliani Unmasked” at the Jewish Museum in New York City. Photo: Jason Mandella

Man sitting on a wooden beam, wearing a long-sleeved shirt and a neck scarf, striking a casual pose in a black and white photo.
Amedeo Modigliani, c. 1912. PVDE/Bridgeman Images, New York

Amedeo Modigliani’s beautiful portraits and nudes are widely celebrated by collectors and art enthusiasts alike. But what’s lesser known is short, and somewhat tumultuous life. Born in Tuscany to Sephardic Jewish parents, Modigliani was challenged to discover his artistic identity from the very beginning of his career. After moving to Paris in 1906, at age 22, the artist quickly encountered the rampant anti-Semitism engulfing Europe. The assimilation into Parisian society that followed forced the artist to channel themes of racial diversity into his work. Now, New York City’s Jewish Museum has gathered some 150 works for “Modigliani Unmasked,” a stirring new exhibition on view through February 4, 2018.

“When Modigliani came to Paris he had never experienced anti-Semitism,” explains curator Mason Klein. “To understand Modigliani the way he understood himself allows us to discover what his portraiture was really about and how he engaged the social realities of pre-war Paris.”

Portrait of a seated woman with elongated face and neck, wearing a yellow sweater, painted in an abstract style.
Jeanne Hèbuterne with Yellow Sweater. Solomon R. Guggenheim Foundation/Art Resource, New York

Featuring mostly drawings, the exhibition comprises around 150 works from the collection of Dr. Paul Alexandre, one of the late artist’s closest confidants and a principal buyer of his earliest works. Included in the show are an unfinished portrait of Alexandre—making its U.S. debut—as well as life studies, female nudes (like one of Russian poet Anna Akhmatova), drawings of caryatids and heads, and impressions of the theater.

Art gallery interior with large stone sculpture on display, surrounded by framed sketches on dark walls.
Installation view of the exhibition. Jason Mandella

Objects sourced from various cultures (African, Greek, Egyptian, and Khmer) are juxtaposed with Modigliani’s artwork so as to reference his influences during this fruitful period. “Modigliani was a portraitist, but he saw that identity was never quite certain,” says Klein, adding that the exhibition “allows viewers to think of Modigliani in a broader and more relevant way—certainly more relevant to the world we are living in today.”

“Modigliani Unmasked” is on view through February 4, 2018 at the Jewish Museum, 1109 5th Avenue, New York City.

Sketch of a stylized face with elongated features, earrings, and a headband on a plain background.
Head with earrings, black crayon on paper. Paul Alexandre Family, Courtesy of Richard Nathanson, London

Wooden mask with elongated horns and carved facial features displayed against a plain background.
An Ivorian mask from the 19th/20th century provides a reference point for Modigliani’s work. The Metropolitan Museum of Art

Portrait painting in expressionist style featuring a person with a serious expression against a dark, abstract background.
The Jewess (1908). Laure Denier Collection, Paul Alexandre Family, Courtesy of Richard Nathanson, London