Olalekan Jeyifous Routes the Mississippi Through Walker Arts Center

Figuratively, of course. The new Minneapolis exhibition by the Nigerian artist examines the power of the river

Illustration of a person with antlers, holding a decorated paddle, surrounded by plants and water waves.
Olalekan Jeyifous Hydricosmic Ferrier, (2025). Photo: Courtesy the artist

The northern mouth of the Mississippi River is approximately a 3.5-hour drive from the Walker Arts Center, which on August 6 will open an exhibition inspired by that great American waterway. Olalekan Jeyifous, winner of the esteemed Silver Lion at the 2023 Venice Architecture Biennale, is the artist behind it. Titled “Olalekan Jeyifous: Hydricosmic Litanies,” the show is his first solo museum exhibition. Instead of treating the river purely as natural scenery, Jeyifous re-envisions it as a record of change, displacement, identity, and belief.

3D-printed black vase with intricate twisted design on a light background.
Plate V: Helical Origins Vessel, (2025).

“Rivers have long served as lifelines for ecological and cultural balance, but colonization and industrialization disrupted these reciprocal relationships, imposing systems of control and exploitation with lasting effects,” said Jeyifous, continuing, “This tension informs the exhibition’s materials and forms.”

Olalekan Jeyifous Vintage ceramic vase with intricate leaf patterns and unique branching handles on a plain background.
Plate II: Proto-Fluvial Taxonomies, Figures 1–9. (2025). Photo: Courtesy the artist

The Famished Road, a novel by Ben Okri, was an additional source of inspiration, pointing to a visual pathway that connects the physical and spiritual worlds through diasporic themes. It incorporates a depth of mythological figures connected to African heritage as well as to displacement. Visitors to the Walker will enter a speculative river settlement existing outside a fixed historical time and place. It is not meant to be a post-apocalyptic or a paradise. The Mississippi itself functions as both a subject and an organizing system.

“What has stayed with me about Olalekan’s practice is its extraordinary breadth,” says curator Taylor Jasper, adding, “He moves across art, architecture, and design without ever losing sight of the political and human stakes of the worlds he imagines.”

Collection of surreal mechanical and organic illustrations on a beige background, including figures and abstract designs.
Olalekan Jeyifous. Plate IV: Proto-Fluvial Taxonomies, Figures 10-18, (2025). Photo: Courtesy the artist

Hydricosmic Litanies” will be on view from August 6, 2026, through January 3, 2027.