Myomu, 2022, statuario white marble by Kan Yasuda (b. 1945).

Yasuda is Japan’s greatest living sculptor and the last student of Isamu Noguchi.

Photo: Courtesy of A Lighthouse called Kanata

Portrait of Caroline Macheron, née Hayard by Michel-Martin Drolling (1786-Paris-1851).

Oil on canvas, 46.5 x 37 cm.

Student of the great Jacques-Louis David, Drolling was one of the most sought-after French portrait painters of the mid-19^th century.

Photo: Adam Williams Fine Arts

Pierre-Joseph Redouté (1759-1840), Les Roses. Paris,1817-1824.

3 volumes engraved in color and finished by hand.

Pierre-Joseph Redouté’s Roses are perhaps his most celebrated images, which the artist issued while under the patronage of the Empress Josephine, wife of Napoléon.

Photo: Stéphane Clavreuil Rare Books

Ancient Egyptian stucco burial mask of a lady, formerly in the collection of Coco Chanel.

H. 19.7cm / W.17.5cm

Roman Egypt, Tuna el-Gebel, Antinoopolis, 55-100 A.D.

Photo: Galerie Cybèle

Auguste Rodin (1840 – 1917) The Age of Bronze (first reduction), conceived in 1875-1876, this cast in 1944-45.

Bronze with nuanced brown patina, 104.5 x 39 x 32.6 cm.

Photo: David Lévy

Pair of leaf brooches by René Boivin: one circa 1950, set with pink & green tourmalines, peridots; the other, circa 1940 featuring aquamarines, green tourmalines, yellow & green beryls and diamonds.

Photo: G. Torroni

Pablo Picasso (1881-1973), Study for an homage to Degas, 1967.

Ink and wash drawing on paper. 52 x 64 cm.

Photo: Helene Bailly

Hon-Kozane Tachi-Do Gusoku, 16th – 17th Century Japanese Arnour in iron, shakudō, copper, gold, lacquer, leather, silk, wood, boar’s hair.

H.132cm, W.85 cm ; D.60cm.

Photo: Galerie JC Charbonnier

Genealogical tree of the Ottoman dynasty with 29 sultan portraits, attributed to Zenop Manas, probably Vienna, 1807-1808 (Reign of Sultan Mustafa IV).

Oil on Canvas. 99 x 68.5 cm.

Tiara by René Lalique, circa 1900.

Robert Goossens (1927-2016), Coral and crystal chandelier, France, circa 1980.

Gilded bronze structure adorned with rock crystals. Signed.

H 145 x D 130 cm.

Photo: Maison Rapin

Louis XVI lyre clock made circa 1785 by Joseph-Simon Cousin, clockmaker of the Comte d’Artois (brother of Louis XVI and future King Charles X).

Photo: Pascal Izarn

Two sparrow hawks with their prey—a mouse and a lark

Models 1734 and 1739/40, resp., Manufacture and decoration Meissen, 1740.

Hard paste porcelain, 28,4 cm and 29,1 cm.

Photo: Röbbig München

Françoise Gilot (1921–2023), Self-Portrait in Front of Landscape, 1971.

India ink on paper, 26 x 20.1 in./ 66 x 51 cm.

Gilot was an accomplished painter whose art was eclipsed by her long romantic relationship with Pablo Picasso.

Annunciation. Sicily, end of the 16^th – early 17^th century.

Polychromed and gilded wood.

Photo: Galerie Sismann

Pair of Persian vases. Bronze, enamel and black marble of Mazy (base).

Vases: H. 63 cm. (25 in.); L. 35.5 cm. (14 in.); Pr. 27.5 cm. (11 in.).

Presented by Ferdinand Barbedienne at the Paris Exposition Universelle in 1878.

Photo: Courtesy of Galerie Steinitz

Camille Pissarro (1830-1903), Paysannes assises causant, oil on canvas, 60.4 x 73 cm.

Acquired in July 1886 by Galerie Durand-Ruel, one of the most influential forces behind the promotion of the impressionist movement.

Photo: Stern Pissarro Gallery

Portrait bust of Elisabeth Alexandrovna Demidoff,
née Countess Stroganoff (Saint-Petersburg 1779-Paris 1818), Bertel Thorvaldsen (Copenhagen 1770-1844).

White Carrara marble and black marble.

H.: 44.5 cm. (57 cm. with the base)

Probably sculpted in Rome, Circa 1810-1812.

Photo: Courtesy of Trebosc + Van Lelyveld

Porcelain vase made for Madame de Pompadour, Louis XV’s infamous mistress.

Manufacture de Vincennes, circa 1755.

Photo: Courtesy of Villa Ephrussi de Rothschild